Chapter 40: Basic Mixing
857
You can also bounce a submix to disk to free up
the voices for use by other tracks. See
Chapter 43, “Mixdown” for more information.
Send and Return Submixing for Effects
Processing
When you are submixing for reverb, delay, and
similar effects processing, use sends to achieve
traditional send/return bussing. You can use a
real-time plug-in or a hardware insert as a shared
resource for all tracks included in a submix. The
wet/dry balance in the mix can be controlled us-
ing the track faders (dry level) and Auxiliary In-
put fader (effect return, or wet, level).
To create an effects return submix with a plug-in or
hardware insert:
1
Assign each track’s main output to your main
mix outputs.
2
On the source tracks, assign a send (mono or
stereo) and select a mono or stereo bus path
from the Send selector. Configure the sends for
pre- or post-fader, as needed.
3
Choose
Track > New
.
4
Specify the track type (
Aux Input
) and format
(
stereo
), then click
Create
.
5
From the Auxiliary Input track’s Input Path se-
lector, select the send bus path.
6
Solo safe the track so that if you solo another
track that uses the effects send, you won’t mute
the effects return (see “Solo Safe Mode” on
page 191).
7
Assign a plug-in or hardware insert on the
Auxiliary Input.
8
Set the effect to “100% wet,” and set any other
controls.
9
From the Auxiliary Input track’s Output Path
selector, select an output path (main outputs).
Adjust the individual track faders to balance the
dry (unprocessed) tracks. With the send set to
pre-fader, the amount of effect is controlled by
the level of the Send Level fader or the Auxiliary
Input Volume fader. If the send is post-fader, the
Send Level fader follows volume level.
See Chapter 41, “Plug-in and Hardware In-
serts” for more information.
Send/return setup for a plug-in or hardware insert
Send to effect bus
Input set to send bus path
Output set to main mix outs
Controls level of dry signal
Controls level of effect return
Effect (plug-in or hardware)
Insert
Controls level of send
to effects bus
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
Page 1080: ...Pro Tools Reference Guide 1062 ...
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