Chapter 28: Beat Detective
553
• If the selection’s tempo and meter match
the session tempo and meter (see “Calcu-
lating Tempo with Beat Detective” on
page 554), and it aligns correctly with the
session’s bars and beats, click the
Capture
Selection
button. The correct
Time Signa-
ture
, and
Start Bar|Beat
and
End Bar|Beat
values will be filled in automatically.
4
To improve Beat Detective’s accuracy in ana-
lyzing swung notes, select the
Contains
option
that indicates the smallest sub-division of the
beat contained in the selection. The
Contains
op-
tion includes quarter-notes, eighth-notes, six-
teenth-notes (the default setting), thirty-second-
notes, and a triplet modifier. The selected
Con-
tains
option determines the groove template
grid locations for DigiGroove templates.
Beat Detective Analysis
Beat Detective provides several analysis algo-
rithms for beat detection appropriate to differ-
ent types of audio material.
High Emphasis
Works well with high frequency,
inharmonic material, such as cymbals and hi-
hats, while avoiding low frequency material.
Low Emphasis
Works well with low frequency
material, such as bass guitar and kick drum, as
well as with most harmonic material, such as pi-
ano or rhythm guitar.
Enhanced Resolution
Works well with the broad-
est range of material, such as full mixes and
loops.
Beat Detection Across Multiple Tracks
When analyzing a selection with multiple
tracks, Beat Detective analyzes each indepen-
dently. Transients that are detected in any track
appear as Beat Triggers across all selected tracks
regardless of whether or not the detected tran-
sient resides in any other track. However, for
closely aligned events on multiple tracks, Beat
Detective only identifies the first detected tran-
sient of a beat event.
For example, if you have four drum tracks—kick,
snare, and a pair of overheads—transients in the
overhead mics tracks occur a little later than the
closely miked snare and kick tracks because it
takes more time for the sound to travel from the
source to the microphones. If you make a selec-
tion across all four tracks and analyze them us-
ing Beat Detective, only the transients in the
kick and snare tracks will be identified as beat
triggers because the transients on overheads will
Beat Detective, Selection options
As long as the audio material is correctly
aligned with the session’s tempo map, use
Capture Selection each time you make a
new selection or make any changes to the
tempo map (such as changing tempo or
meter).
The Selection definition is not retained
when a session is closed and re-opened
Pro Tools M-Powered requires the Music
Production Toolkit 2 option to use the En-
hanced Resolution option.
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
Page 1080: ...Pro Tools Reference Guide 1062 ...
Page 1111: ......