Pro Tools Reference Guide
810
Quantizing Audio Regions
Pro Tools lets you quantize audio region start
times (or sync points) using the Quantize opera-
tion. Audio region start times (or sync points)
are quantized to the nearest quantize grid value.
To quantize audio regions:
1
Select the audio regions you want to quantize.
2
Choose
Events > Event Operations > Quantize
.
3
In the Quantize window, select
Audio Regions
from the What to Quantize pop-up menu.
4
Set the Quantize Grid and Options settings.
5
Click
Apply
.
The region start times (or sync points if present)
are quantized according to the quantize settings.
Quantizing Mixed Selections
You can apply Quantize to both MIDI notes and
audio regions, or both MIDI notes and Elastic
Audio events at the same time. However, you
cannot apply Quantize to both audio regions
(non-Elastic Audio) and Elastic Audio events at
the same time.
Restore Performance
The
Restore Performance
command reverts all se-
lected MIDI notes to their original state (when
first recorded or manually inserted), even after
the session has been saved, or the Undo queue
has been cleared.
Restore Performance
can also
be applied to quantized Elastic Audio Events or
quantized audio regions.
The following MIDI note, Elastic Audio Event,
and audio region attributes can be restored:
Timing (Quantization)
Restores the original start
times of the selected notes, audio regions, and
Elastic Audio Events. For MIDI only, this
changes the durations of selected notes if the
Du-
ration
option is not enabled.
Quantizing region groups only adjust the
location of the region group start (or sync
point). To quantize the underlying sliced
regions in a region group, you must first
ungroup, then quantize, and then regroup.
For more information on region groups, see
“Region Groups” on page 743.
Quantized audio regions
before quantizing
after quantizing
Event Operations window, Restore Performance page
The Restore Performance command can be
undone.
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
Page 1080: ...Pro Tools Reference Guide 1062 ...
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