Pro Tools Reference Guide
18
Tick-Based and Sample-Based
Time
Pro Tools lets you set any track timebase to
either sample-based or tick-based. You can also
set the Timeline to be viewed as tick-based or
sample-based.
Audio in Pro Tools is sample-based by default.
This means that if an audio region is located at a
particular sample location, it will not move
from that location if the tempo changes in the
session—though its Bar|Beat location
will
change.
MIDI data in Pro Tools is tick-based by default.
This means that if a MIDI region is located at a
particular Bar|Beat location, it will not move
from that Bar|Beat location if the tempo changes
in the session—though its sample location
will
change.
You can select whether a track is sample-based
or tick-based when it is created, or change time-
bases later.
Sample-Based Audio and MIDI
With a sample-based audio track, all regions in
the track have an absolute location on the Time-
line. Regions stay fixed to the sample time, re-
gardless of where tempo or meter changes occur
in a session.
If you make a MIDI track sample-based, all MIDI
events in the track have an absolute location on
the Timeline. MIDI events stay fixed to sample
time, regardless of any tempo or meter changes
in a session.
Tick-Based Audio and MIDI
Tick-based audio is fixed to a Bars|Beat location,
and moves relative to the sample Timeline when
tempo and meter changes occur. However, MIDI
events and tick-based audio respond differently
to tempo changes with respect to duration.
MIDI note events change length when tempo or
meter is adjusted, while audio regions do not
(unless Elastic Audio is enabled). When Elastic
Audio is
not
enabled on an audio track, meter
and tempo changes affect only the start point
(or sync point) for each audio region in a tick-
based track. If Elastic Audio is enabled on an au-
dio track, tempo changes apply Elastic Audio
processing, which changes the duration of the
audio region.
Elastic Audio
Elastic Audio provides real-time and non-real-
time (rendered) Time Compression and Expan-
sion (TCE) of audio. Tick-based Elastic Audio
tracks actually change the location of samples
according to changes in tempo. The audio
stretches or compresses to match changes in
tempo. Elastic Audio also provides high-quality
non-real-time region-based pitch shifting.
Pro Tools Elastic Audio uses exceptionally high-
quality transient detection algorithms, beat and
tempo analysis, and real-time or rendered TCE
processing algorithms. Elastic Audio lets you
quickly and easily tempo conform and beat
match audio to the session’s Tempo ruler. It also
provides an unprecedented degree of control
over transient detection and TCE processing on
an event-by-event basis.
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
Page 1080: ...Pro Tools Reference Guide 1062 ...
Page 1111: ......