Chapter 25: Editing Regions and Selections
499
To separate a selection without affecting the
original regions:
1
With the Selector tool, make an Edit selection.
The selection can reside within a single region,
across adjacent regions within the same track, or
across multiple tracks.
2
From the Grabber tools pop-up menu, choose
the Separation Grabber tool.
3
While pressing Alt (Windows) or Option
(Mac), drag the selection to the new location, or
to another track.
New regions containing the previous selection
are created and placed at the new location. The
original selection and regions remain intact.
Region Overlap and Underlap
When a tick-based audio track has multiple re-
gions, an increase in tempo can cause neighbor-
ing regions to overlap. Audio regions can be set
to display a small “dog-ear” corner to indicate
overlapping region boundaries.
To toggle the display of overlap and underlap
region boundaries:
Choose
View > Region > Overlap
.
Changing Region Overlap/Underlap
After tempo changes with tick-based audio, and
other edits, regions may overlap in undesired
ways. To correct this, a region can be brought to
the front, or sent behind neighboring regions as
needed.
To change the region overlap or underlap:
1
In the Edit window, choose the region or re-
gions you want to re-order.
2
Do one of the following:
• Choose
Region > Bring to Front
to make the
region overlap the neighboring regions.
– or –
• Choose
Region > Send to Back
to make the
region underlap the neighboring regions.
If multiple overlapping regions are selected,
Pro Tools will apply the command to each re-
gion as that region relates to the neighboring re-
gion on the right.
Dragging to another track with the Separation Grabber
tool
Region overlap and underlap
Overlap region
Underlap region
Overlap region
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
Page 1080: ...Pro Tools Reference Guide 1062 ...
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