Pro Tools Reference Guide
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Other sounds, such as vocals or sustained syn-
thesizer pads, produce very different waveforms.
These sounds have less pronounced peaks and
valleys because they generally have softer at-
tacks and longer decays.
Waveform Views
Pro Tools provides a several different Waveform
View options. Depending on the editing task,
you may want display waveforms in any num-
ber of different ways.
Calculating Waveform Overviews
Waveforms can be calculated using Peak or
Power overviews.
To set how the Waveform view is calculated:
Choose
View > Waveforms
and select one of the
following:
•
Peak
– or –
•
Power
Peak
When selected, the waveform display is
calculated based on the sample-by-sample peak
level. Peak view is traditionally how Pro Tools
calculates the waveform overview and can be
used for normal or rectified views. Peak view
clearly displays any clipping in the waveform.
Power
When selected, the wave form display is
calculated according to the Root Mean Square
(RMS). Power view can be used for normal or
rectified views. Power view is useful for better
seeing the characteristics of the audio in the
waveform representation when zoomed out be-
yond the sample level. For mastering applica-
tions in particular, it can be more revealing of
the sonic characteristics of the audio than Peak
view.
Rectified Waveforms
Rectified waveforms are displayed so that their
positive and negative waveform excursions (the
portions that fall above and below the center
line) are summed together and viewed as a sin-
gle positive-value signal. This view lets you see
more waveform detail in normal or reduced
track height views. It can be particularly useful
when editing volume automation data, since it
depicts waveform levels as starting at the bot-
tom of the track. Rectified view is available in
both Peak and Power views.
Normal Peak Waveform view with Outlines
When zoomed in to the sample level,
Pro Tools always displays Peak view.
Normal Power Waveform view with Outlines
Peak view is always shown during record-
ing. Power waveform view is calculated and
shown only after you stop recording.
Power view is not available in Destructive
Punch mode or when zoomed to the sample
level.
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
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Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
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Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
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Page 1025: ...1007 Part XI Sync and Video ...
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