Pro Tools Reference Guide
876
To make an insert inactive, do one of the following:
Control-Start-click (Windows) or Command-
Control-click (Mac) the Insert button.
Right-click the Insert button and select
Make
Inactive
.
Make the track inactive. See “Making Tracks
Inactive” on page 192.
To toggle inserts in the same position on all tracks
active or inactive:
Control-Start-Alt click (Windows) or Com-
mand-Control-Option click (Mac) an Insert but-
ton in the position you want to toggle.
To toggle inserts in the same position on all
selected tracks active or inactive:
Control-Start-Alt-Shift-click (Windows) or
Command-Control-Option-Shift-click (Mac) an
Insert button in the position you want to toggle.
Inactive Plug-in Inserts
Inactive plug-in inserts retain all associated au-
tomation playlists. In addition, any edits made
in the session affect the plug-in automation
playlists. You cannot record automation or ad-
just the controls for an inactive plug-in.
Inactive Hardware Inserts
Inactive hardware inserts retain their assign-
ments, but do not pass audio and do not con-
sume any DSP resources.
Inserting Plug-ins on Tracks
To use a real-time plug-in, insert it on a track.
To insert a plug-in on a track:
1
Make sure the Inserts (A–E or F–J) View is
shown in the Mix or Edit window.
2
Click the Insert selector on the track and select
the plug-in that you want to use. (See “Plug-in
Formats” on page 873 for related information.)
To remove an insert from a track:
Click the Insert selector and choose
No Insert
.
Display of inactive plug-ins
Display of inactive Plug-in window
(italicized)
Active
(plain text)
Inactive
Hardware inserts do not provide a bypass
control. You can use the inactive feature
whenever you need to mute or bypass a
hardware insert.
Plug-ins cannot be inserted or removed dur-
ing recording.
Inserting a TDM plug-in
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
Page 1080: ...Pro Tools Reference Guide 1062 ...
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