Chapter 19: Audio Recording
369
Chapter 19: Audio Recording
Recording an Audio Track
In Pro Tools, you record audio to audio tracks.
Audio tracks can be mono, stereo, or multichan-
nel as appropriate for the recording source.
When recording a mono source, record to a sin-
gle, mono audio track in Pro Tools. A single,
mono audio file is written to disk, and the file
appears as a region both in the track’s playlist
and in the Region List.
When recording a stereo audio source, record to
a single, stereo audio track in Pro Tools. A single,
mono audio file is written to disk for each chan-
nel of a stereo track: one for the left channel,
and one for the right channel. These files appear
as a stereo region both in the track’s playlist and
in the Region List.
Recording a multichannel source to a multi-
channel track (Pro Tools HD only) is similar to
recording stereo audio tracks. A single, mono
audio file is written for each channel in the
track, and these files appear as multichannel re-
gions in both the track’s playlist and in the Re-
gion List.
Before Recording
Before you start recording in Pro Tools, you need
to set up your Pro Tools system, a session, and
one or more tracks for recording. You will also
need to configure how Pro Tools monitors the
input you intend to record. For information, see
Chapter 18, “Record Setup.”
Basic Recording Steps
To record an audio track:
4
From the track’s Input Path selector, select the
audio Input Path you want to record (see “As-
signing Hardware I/O on a Track” on page 357).
5
From the track’s Output Path selector, select
the main monitoring path.
6
Select the Record Enable button for the audio
track. It lights red.
For more information on multichannel
tracks, see “Multichannel Audio Tracks” on
page 983.
For detailed record setup information, see
Chapter 18, “Record Setup.”
Record enabling a track in the Mix window
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
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Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
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Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
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Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
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Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
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