Pro Tools Reference Guide
636
To disable Mirrored MIDI Editing, do one of the
following:
Deselect
Options > Mirror MIDI Editing
.
– or –
Disable the Mirrored MIDI Editing button in
the Edit window, MIDI Editor window, or Score
Editor window.
Double Bar
When enabled, the Double Bar option shows
the final double bar line in the Score Editor win-
dow. The double bar line is located at the end of
the last MIDI region or event in the session. En-
able the Double Bar option when you are ready
to print the score.
When the Double Bar option is disabled, there
will be a number of empty bars at the end of the
last MIDI region in the session. The number of
empty bars is determined by the
Additional Empty
Bars In The Score Editor
setting in the Pro Tools
MIDI Preferences (
Setup > Preferences
). Disable
the Double Bar option to manually enter notes
in the Score Editor after the last MIDI region.
Cursor Location
The Cursor Location display provides informa-
tion about the current cursor location in
Bars|Beats|Ticks and pitch.
Grid
The Grid selector lets you define the Grid value
for MIDI notes inserted and displayed in the
Score Editor window.
To set the Grid value for the Score Editor window:
From the Grid Value pop-up menu, select a
note value.
If you want dotted note values, also select the
Dotted option.
If you want triplet note values, also select the
Triplet option.
If Mirrored MIDI Editing mode is disabled,
and you edit notes of looped regions in
Notes view, the edit flattens the loop. Simi-
larly, editing region groups separates the re-
gion groups.
Double Bar enabled in the Score Editor window
Double Bar
Cursor Location indicator in the Score Editor window
Setting the Grid value
Cursor Location
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
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