Pro Tools Reference Guide
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4
Click Play in the Transport window, or press
the Spacebar.
All tracks play for the range of the selection, in-
cluding pre-roll and post-roll if enabled.
To play an Edit selection with Link Timeline and
Edit Selection disabled:
Choose
Edit > Selection > Play Edit
.
To play a Timeline selection with Link Timeline and
Edit Selection disabled:
Choose
Edit > Selection > Play Timeline
.
Auditioning Pre-Roll and Post-Roll
You can audition and play
just
the pre-roll or
post-roll material for a selection.
To play from the pre-roll point to the start of a
selection, or to the current Cursor location:
Press Alt+Left Arrow (Windows) or Op-
tion+Left Arrow (Mac).
To play to the post-roll point from the end of a
selection, or from the current Cursor location:
Press Right Arrow (Windows) or
Right Arrow (Mac).
Auditioning Start and End Points for
Selections
There may be times when you want to audition
the start or end of an audio selection without
hearing the entire selection. This allows you to
check, for instance, whether the beginning or
end of a selection includes any unwanted clicks
or pops.
To audition a selection start point:
Press Left Arrow (Windows) or Com-
mand+Left Arrow (Mac).
When auditioning the beginning of a selection,
the selection plays from the start point for a du-
ration equal to the post-roll amount.
To audition a selection start point with pre-roll:
Press Alt+Left Arrow (Windows) or
Left Arrow (Mac).
To audition a selection end point:
Press Alt+Right Arrow (Windows) or Op-
tion+Right Arrow (Mac).
When auditioning the end of a selection, play-
back begins before the end point by the pre-roll
amount.
To audition a selection end point with post-roll:
Press Alt+Right Arrow (Windows) or
Right Arrow (Mac).
Playback ranges for auditioning start/end points
plays start
(for post-roll amount)
plays pre-roll + start
plays end
(for pre-roll amount)
plays end + post-roll
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
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Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
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