Chapter 33: Time, Tempo, Meter, Key, and Chords
663
Chapter 33: Time, Tempo, Meter, Key,
and Chords
In Pro Tools, editing and arranging is typically
done on tracks against a fixed
Timeline
.
Regions and events can be anchored to points in
absolute time, or relative time, as measured on
the session’s Timeline. The Timeline includes
two different types of rulers for measuring time:
Timebase rulers and Conductor rulers.
The Timebase rulers can measure time in two
different ways: sample-based time (absolute
time) and tick-based time (relative time). For ex-
ample, the Minutes:Seconds ruler measures ab-
solute time and the Bars|Beats ruler measures
relative time.
The relative time of the Bars|Beats ruler is deter-
mined in part by tempo and meter. Tempo,
Meter, and Key Signature rulers reside in Con-
ductor tracks. Tempo and meter events affect
the timing of tick-based tracks, and also provide
the tempo and meter map for the Bar:Beat grid
and Click. You can edit tempo events in the
Tempo ruler or Tempo Editor.
Key changes can affect MIDI notes when apply-
ing transposition. You can edit key and key
changes in the Key Signature ruler.
Timebase Rulers and
Conductor Rulers
Timebase Rulers
Any or all of the following Timebase rulers can
be displayed at the top of the Edit window and
in MIDI Editor windows:
Bars|Beats
Displays the Time Scale in bars and
beats. Use this Time Scale if you are working
with musical material that must align with bars
and beats. The Bars|Beats Time Scale is relative
and is affected by the session’s tempo and meter
map.
Pro Tools also provides a Markers ruler for
Memory Locations. For more information,
see Chapter 34, “Memory Locations.”
All rulers displayed
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
Page 1080: ...Pro Tools Reference Guide 1062 ...
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