Pro Tools Reference Guide
366
Pro Tools LE uses the host processor in your
computer for all audio processing, playback, and
recording, so there is always a small amount of
latency in the system. For example, there may
be some audible delay between the incoming
signal and outgoing signal when monitoring re-
cording through Pro Tools.
With Pro Tools, latency occurs as follows:
• All Pro Tools systems can have RTAS MIDI-
to-audio latency (such as when playing an
RTAS virtual instrument live and monitor-
ing the instrument’s output).
• Pro Tools LE systems have input-to-output
monitoring latency on any record-armed
tracks or Auxiliary Inputs with live inputs.
• Pro Tools|HD systems have monitoring la-
tency on tracks that have one or more RTAS
plug-ins.
The latency amount is related to the
H/W Buffer
Size
setting—the larger the buffer size the
greater the latency. You can reduce the amount
of monitoring latency by reducing the
H/W
Buffer Size
setting. However, even at the smallest
buffer size, there is still some latency.
In addition, reducing the buffer size limits the
number of simultaneous audio tracks you can
record without encountering performance er-
rors.
While there may be times when you want a
larger buffer size, such as when you have higher
track counts with more plug-ins, you will gener-
ally want the smallest possible buffer size when
latency is present during recording and moni-
toring.
For more information on
H/W Buffer Size
set-
ting, see “Hardware Buffer Size” on page 42.
If you are monitoring the recording source with
an external mixer before it is routed to
Pro Tools, you will not hear any latency.
To set the Hardware Buffer Size:
1
Choose
Setup > Playback Engine
.
2
Choose the number of samples from the
H/W
Buffer Size
pop-up menu.
3
Click
OK
.
Recording with Delay
Compensation
(Pro Tools HD Only)
Generally, you will want to record with Delay
Compensation enabled to maintain phase co-
herent time alignment between tracks with dif-
ferent DSP delays. However, you will generally
want to avoid using inserts on recording tracks
or tracks used for controlling the levels of cue
mixes. For more information about Delay Com-
pensation, see “Delay Compensation” on
page 860.
Zero Latency Monitoring
(Mbox 2, Mbox 2 Mini, and Mbox Only)
Mbox 2, Mbox Mini, and Mbox give you the
ability to monitor your analog input signals
while recording, without hearing any latency.
This zero-latency analog monitoring is con-
trolled by the front panel Mix knob, which you
can use to blend and adjust the mix between the
interface’s analog input and Pro Tools playback.
For more information, refer to your system’s
Setup Guide
.
Computers with slower CPUs may not be
able to use a H/W Buffer Size setting lower
than 512 samples buffer size without en-
countering performance errors.
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
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Page 1025: ...1007 Part XI Sync and Video ...
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