Pro Tools Reference Guide
536
Auditioning Alternate Playlists
Only the main playlist plays back through the
track audio output path. To hear an alternate
playlist, you need to solo the Playlist lane. The
soloed lane then plays through the track audio
output path instead of the main playlist.
To audition an alternate playlist:
1
Click the Solo button for the Playlist lane you
want to audition. (Soloing a Playlist lane only
solos the playlist in the track, it does not mute
any other tracks in the session.)
2
Start Pro Tools playback.
Copying Alternate Playlists to the Main
Playlist
Once you have found a selection in an alternate
playlist that you want to use in the main playl-
ist, copy and paste the selection to the main
playlist. In this way you can construct the best
combination of selections from alternate playl-
ists.
In addition to manually copying and then past-
ing to the main playlist, Pro Tools provides sev-
eral commands for copying and pasting the se-
lection to the main playlist:
Copy Selection To Main Playlist
Copies and
pastes the selection to the main playlist. Any
material already on the main playlist at the
same location is overwritten.
Copy Selection to New Playlist
Creates a new,
empty main playlist and copies and pastes the
selection to the new main playlist
Copy Selection to Duplicate Playlist
Duplicates
the current main playlist and copies and pastes
the selection to the duplicate of the main playl-
ist. The previous main playlist moves to a new
Playlist lane.
Soloing an alternate playlist
Press Shift+S to solo any one Playlist lane
containing the Edit cursor. If more than one
Playlist lane contains the Edit cursor, the
topmost lane is soloed.
Use Start+P and Start+“;” (Windows) or
P and “;” (Mac) to move
the Edit cursor up and down through
Playlist lanes.
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
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Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
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Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
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Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
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Page 1025: ...1007 Part XI Sync and Video ...
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