Pro Tools Reference Guide
526
Moving Regions Adjacent to Crossfades
When you move either of the regions that con-
tributes to a crossfade, the regions separate. The
status of the fade depends on the Preserve Fades
when Editing preference (in the Editing Prefer-
ences page).
To separate crossfaded regions and retain the
corresponding fades:
1
Choose
Setup > Preferences
and click the
Edit-
ing
tab.
2
Select
Preserve Fades when Editing
.
3
Click
OK
to close the Preferences dialog.
4
Use the Time Grabber or Separation Grabber
tool to select one of the contributing regions to
a crossfade.
5
Drag the selected region with the Grabber.
To separate crossfaded regions and remove the
fade:
1
Choose
Setup > Preferences
and click the
Edit-
ing
tab.
2
Deselect
Preserve Fades when Editing
.
3
Click
OK
to close the Preferences dialog.
4
Use the Time Grabber or Separation Grabber
tool to select one of the contributing regions to
a crossfade.
5
Drag the selected region with the Grabber.
Nudging Regions Adjacent to
Crossfades
When you nudge either of the regions that con-
tributes to a crossfade, the fade stretches to pre-
serve the relative position of the crossfade start
and end points. The amount of stretch depends
on the amount of overlap between the contrib-
uting regions.
If you nudge a region beyond the boundary of
available audio for the crossfade, the fade is re-
moved.
To nudge a region and stretch its crossfade:
1
Use the Time Grabber tool to select one of the
contributing regions to the crossfade.
Selecting a region with a crossfade
Separating regions while preserving fades
Selecting a region with a crossfade
Separating regions while removing fades
Selecting a region with a crossfade
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
Page 1080: ...Pro Tools Reference Guide 1062 ...
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