Pro Tools Reference Guide
832
Common Uses for Instrument Tracks
By playing back MIDI from or through an In-
strument track you can control and monitor the
audio from:
• Instrument plug-ins, such as software syn-
thesizers or samplers.
• External MIDI instruments, such as synthe-
sizers and samplers
To route audio from an external MIDI instrument to
an Instrument track:
1
Click the Input Path selector of the Instru-
ment track and choose the corresponding hard-
ware input for your external MIDI instrument.
2
Click the Output Path selector of the Instru-
ment track and choose an output or bus path.
3
In Instruments view, click the MIDI Input se-
lector, and assign a device and channel from the
pop-up menu to record and control the external
MIDI instrument.
4
In Instruments view, click the MIDI Output se-
lector, and assign the port and channel for the
external MIDI instrument from the pop-up
menu.
5
Adjust the Instrument fader to set the volume.
VCA Master Tracks
(Pro Tools HD Only)
VCA Master tracks emulate the operation of
voltage-controlled amplifier channels on analog
consoles, where a VCA channel fader would be
used to control, group, or offset the signal levels
of other channels on the console.
VCA Master tracks do not pass audio, so they do
not have inputs, outputs, inserts or sends. A Mix
group is assigned to a VCA Master track, which
appears in the VCA track’s Group Assignment
selector. The controls of the tracks in that Mix
group, called the
slave
tracks, are modified by
the controls on the VCA Master.
For information on assigning MIDI input
and output for Instrument tracks, see “As-
signing MIDI Input and Output for Instru-
ment Tracks” on page 188.
For information inserting plug-ins on
tracks, see “Inserting Plug-ins on Tracks”
on page 876.
VCA Master track
Group Assignment
selector
VCA Track Type indicator
TrackInput
Mute
Volume
Solo
Record
Level meter
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
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