Pro Tools Reference Guide
844
Internal Mix Busses
Pro Tools HD provides 128
busses and Pro Tools LE provides 32 busses for
routing signals internally. Internal bus paths are
useful for submixing and processing with plug-
ins. Bus paths are defined in the I/O Setup dia-
log, and are available in all supported channel
formats (mono, stereo, or multichannel, as sup-
ported on your system).
Hardware Outputs
Hardware sends are often used
for headphone cue mixes, or for sending signals
to external effects processors. Sends do not auto-
matically return audio as do hardware inserts.
Configuring Inserts View in the
Mix and Edit Windows
Audio tracks, Auxiliary Inputs, Master tracks,
and Instrument tracks include two sets of inserts
Views: Inserts A–E (inserts 1–5) and Inserts F–J
(inserts 6–10). The View menu provides separate
options for viewing each of set of inserts in the
Mix and Edit windows.
To display inserts in the Mix window:
Select any of the following:
•
View > Mix Window > Inserts A–E
.
•
View > Mix Window > Inserts F–J
.
To display inserts in the Edit window:
Select any of the following:
•
View > Edit Window > Inserts A–E
.
•
View > Edit Window > Inserts F–J
.
Configuring Sends View in the Mix
and Edit Windows
Audio tracks, Auxiliary Inputs, and Instrument
tracks include two sets of Sends Views: Sends
A–E (sends 1–5) and Sends F–J (sends 6–10). The
View menu provides separate options for view-
ing these sends in the Mix and Edit windows.
To display sends in the Mix window:
Select any of the following:
•
View > Mix Window > Sends A–E
.
•
View > Mix Window > Sends F–J
.
To display sends in the Edit window:
Select any of the following:
•
View > Edit Window > Sends A–E
.
•
View > Edit Window > Sends F–J
.
Sends View Options
Sends are displayed in the Mix and Edit window
according to the Sends A–E View and Sends F–J
View options. Each Send View has six view
choices: Assignments View and five individual
Send Views (A–E or F–J).
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
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