Chapter 40: Basic Mixing
851
Inverse Linked Panning
When linked and set to Inverse mode, panning
moves are inverted or reversed in the other
channels.
Inverse panning reflects one side’s location and
direction in the other side. For example, when
enabled for Front Inverse, if you pan one side of
a stereo track output from right to left, the other
side will exactly mirror that movement and pan
left to right.
Front Inverse linking is available on all systems.
Rear Inverse, and Front/Rear Inverse linking are
available on Pro Tools|HD systems only, and
only appear as options on multichannel plug-
ins and panners/output windows.
To enable inverse linking:
1
Enable the Link icon.
2
Select an Inverse mode.
Standard Selector Controls in
Output Windows
All Output windows provide standard selectors
for path, automation, and other controls in the
top area of the window (the Output Editor area).
Track Selector
Provides access to any audio
track, Auxiliary Input, or Master Fader in the ses-
sion.
Output View Selector
Provides access to other
outputs (track and send) in the track, if any, dis-
playing the selected output in the current win-
dow.
Send View Selector (Send Window Only)
Pro-
vides access to other sends on the track.
Output Path Selector
Allows you to assign the
Output path for the current track or send.
Pre/Post Fader button (Send Window Only)
De-
termines whether the send is pre- or post-fader.
Automation Safe
Protects track and send level,
pan, and other controls from automation over-
writes by placing them in Automation Safe
mode. See Chapter 42, “Automation” for more
information.
Link and Inverse selectors (multichannel track)
Link
Front/Rear Inverse
Front Inverse
Rear Inverse
Output window standard controls
Send window standard controls
Automation Safe
Target
Path selector
Track selector
Inverse Pan
Link
button
Output View
selector
Pre/Post Fader
Automation Safe
Target
Path selector
Track selector
Inverse Pan
Link
Send selector
Follow Main Pan
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
Page 1080: ...Pro Tools Reference Guide 1062 ...
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