Chapter 35: Arranging Regions
735
To extract audio from an audio selection using
Strip Silence:
1
Make an Edit selection.
2
Choose
Edit > Strip Silence
.
3
To set the naming scheme for regions created
with Strip Silence, click
Rename
to open the Re-
name Selected Regions dialog (see “Auto-Nam-
ing for Strip Silence” on page 733).
4
In the Strip Silence window, adjust the set-
tings for
Strip Threshold
and Minimum Strip Du-
ration (
Min Strip
) until the Strip Silence
rectangles appear in the selection.
5
Click the
Extract
button.
All audio above the designated threshold is de-
leted and the “silent” portions of the track are
left.
To separate regions using Strip Silence:
1
Make an Edit or Timeline selection.
2
Choose
Edit > Strip Silence
.
3
To set the naming scheme for regions created
with Strip Silence, click
Rename
to open the Re-
name Selected Regions dialog (see “Auto-Nam-
ing for Strip Silence” on page 733).
4
In the Strip Silence window, adjust the set-
tings for
Strip Threshold
and Minimum Strip Du-
ration (
Min Strip
) until the Strip Silence
rectangles appear in the selection.
5
Click the
Separate
button.
New regions are created based on the bound-
aries detected by Strip Silence.
Inserting Silence
The
Insert Silence
command is a simple and con-
venient way to insert silence on audio, MIDI,
and Instrument tracks. This command lets you
make a selection on a track (or tracks) and insert
precisely that amount of silence.
In Shuffle mode, all data on the track is shuffled
later in the track by an amount equal to the se-
lection.
In Grid mode, the Insert Silence command
works just like the Clear command.
Shuffle Mode
When inserting silence on multi-
ple tracks in Shuffle mode, the following condi-
tions apply:
If any track is displayed as audio or MIDI data,
the selected duration of silence is inserted into
the audio or MIDI data and all underlying auto-
mation data on all selected tracks. All subse-
quent regions are shuffled by the amount of
silence inserted. On MIDI tracks, only notes that
are selected from the beginning are affected, so
if you have selected the tail of a note and you In-
sert Silence, the note will remain unchanged.
If all selected tracks are displayed as automa-
tion data, the selected range is cleared of auto-
mation data only of the type visible on each
track. Regions are
not
shuffled. Instead, a blank
gap appears equal to the length of the selection.
If all selected tracks are displayed as automa-
tion data, press the Start key (Windows) or Con-
trol (Mac) while choosing the Insert Silence
command to inserts silence on all automation
playlists for all selected tracks. Regions are
not
shuffled.
The Insert Silence command also affects
markers in any selected Conductor Rulers
(such as the Tempo or Meter rulers).
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
Page 1080: ...Pro Tools Reference Guide 1062 ...
Page 1111: ......