Chapter 11: Tracks
189
Soloing and Muting Tracks
The Solo and Mute buttons can be engaged at
any time during playback. The Solo and Mute
buttons affect MIDI as well as audio tracks. It is
possible to have more than one track soloed or
muted at the same time in a session.
Track grouping also affects mute and solo be-
havior. Muting or soloing a track that is a mem-
ber of an active Mix Group will mute or solo all
other tracks that are a member of that active Mix
Group as well.
Solo Button
The Solo button normally mutes other tracks so
that the selected track can be auditioned inde-
pendently.
With Pro Tools HD, this behavior is selected as a
Solo mode, called “Solo In Place.” Additional
Solo modes are provided to change how the Solo
button works. See
“Solo Modes” on page 189.
To solo tracks:
1
Click the Solo button on a track. The button is
highlighted and all other tracks are muted.
2
Click the Solo button on another track. The
buttons for both tracks are highlighted and all
other tracks are muted.
To un-solo tracks:
Click the Solo button on soloed tracks.
Solo Modes
(Pro Tools HD Only)
With Pro Tools HD, the Solo button can be used
to:
• Mute other tracks so that the selected track
can be auditioned alone.
– or –
• Route a selected track to a separate output.
Solo button behavior is defined by the Solo
mode, as follows:
SIP (Solo In Place)
The Solo button mutes other
tracks. When this mode is enabled, tracks can be
solo safed (see “Solo Safe Mode” on page 191).
AFL (After Fader Listen)
The Solo button routes
the track’s post-fader/post-pan signal to the
AFL/PFL Path output. The AFL/PFL Path is con-
figured in the Output page of the I/O Setup dia-
log (see “AFL/PFL Path” on page 76).
With AFL, the level you hear is dependent on
the fader level for that track. Additionally, there
is a separate master level setting for AFL that af-
fects the output of any or all tracks you solo in
AFL mode (see “AFL/PFL Path” on page 76). This
level setting is independent of the PFL level set-
ting.
PFL (Pre Fader Listen)
The Solo button routes
the track’s pre-fader/pre-pan signal to the
AFL/PFL Path output. The AFL/PFL Path is con-
figured in the Output page of the I/O Setup dia-
log (see “AFL/PFL Path” on page 76).
Instrument tracks have separate sets of Solo
and Mute buttons for MIDI and audio mon-
itoring.
For information on creating and modifying
groups for track soloing and muting, see
“Grouping Tracks” on page 197.
AFL and PFL Solo modes require the Sur-
round Mixer plug-in (see the Pro Tools|HD
Setup Guide).
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
Page 1080: ...Pro Tools Reference Guide 1062 ...
Page 1111: ......