Pro Tools Reference Guide
770
3
From the track’s Elastic Audio Plug-in pop-up
menu, select
Real-Time Processing
or
Rendered
Processing
for Real-Time or Rendered Elastic Au-
dio processing.
To disable Elastic Audio on a track:
1
From the track’s Elastic Audio Plug-in selector,
select
None – Disable Elastic Audio
.
2
If the track had any Elastic Audio-based pro-
cessing, you are prompted to
Cancel
,
Revert
, or
Commit
.
Cancel
Leaves Elastic Audio enabled on the
track.
Revert
Removes any Elastic Audio processing,
reverts regions on the track to their original du-
ration, and disables Elastic Audio on the track.
Commit
Renders and commits any Elastic Audio
processing on the track, writes new files to disk,
and disables Elastic Audio on the track.
Committed Regions
Regions that are committed, either by disabling
Elastic Audio on a track or by moving a region to
a track without Elastic Audio enabled, are writ-
ten to disk as new audio files. These new audio
files include the audio in the region, plus any
fades, and also an additional 5 seconds of audio
before and after the region, if available.
Alternate Playlists
Disabling Elastic Audio on a track affects all
playlists on the track. All playlists on the track
are committed or reverted depending on which
option you choose.
Creating New Tracks with Elastic Audio
Enabled
New tracks are created with Elastic Audio auto-
matically enabled in the following cases:
• When the
Enable Elastic Audio On New
Tracks
option is enabled in the Processing
Preferences page (see “Elastic Audio Op-
tions” on page 279).
• When dragging and dropping tick-based,
Elastic Audio analyzed files from DigiBase
browsers to the Track List or empty space in
the Edit window with the
Audio Files Con-
form to Session Tempo
option enabled (see
“Elastic Audio on Import” on page 282).
• When dragging and dropping REX or ACID
files from the Desktop (if either
REX and
ACID Files Only
or the
All Files
option is en-
abled for the
Drag and Drop from Desktop
Conforms to Session Tempo
setting in the
Processing Preferences page) or a DigiBase
browser (if the Audio Files Conform to Ses-
sion Tempo button is enabled) to the Track
List or empty space in the Edit window (see
“Importing ACID and REX Files” on
page 285).
Elastic Audio processing can be Real-Time
or Rendered. Real-Time Elastic Audio pro-
cessing is immediate, but it is more de-
manding of system resources. Rendered
Elastic Audio processing is non-real-time,
but is less demanding of system resources. If
you are working on a system with limited re-
sources, use Rendered Elastic Audio process-
ing. For more information, see “Real-Time
and Rendered Elastic Audio Processing” on
page 773.
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
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Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
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Page 1025: ...1007 Part XI Sync and Video ...
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