Chapter 28: Beat Detective
561
DigiGroove Templates
Beat Detective allows the fine timing nuances of
a rhythmic performance to be extracted and
saved as a groove template, called a DigiGroove
template. DigiGrooves can be saved locally to
the Groove Clipboard, or saved to disk as Digi-
Grooves.
Groove templates can be used to transfer the feel
of a particular performance to:
• Selected audio regions using Groove Conform
(see “Groove Conform” on page 566).
• Selected MIDI data using Groove Quantize
(see “Groove Quantize” on page 804).
Groove templates are “quantization maps” de-
rived from real musical performances. The
rhythmic character of each performance is ana-
lyzed and stored as a groove template. Beat De-
tective analyzes an audio selection for transient
peaks according to a defined threshold and
maps the rhythmic relationships to a 960 parts
per quarter note (ppq) template.
When creating DigiGroove templates, Beat De-
tective also analyzes the dynamics of a perfor-
mance. MIDI velocity data is saved from MIDI
tracks, and accents and peak levels in audio data
are incorporated into the groove template as ve-
locity data, which can be applied to change the
dynamics of MIDI tracks.
Beat Detective translates the amplitude of sig-
nals in audio tracks to MIDI velocity according
to a linear scale. For example:
• A 0 dBFS signal equals a MIDI velocity of
127.
• A signal at –6 dBFS equals a MIDI velocity
of 64.
• A signal at –12 dBFS equals a MIDI velocity
of 32.
• A –48 dBFS equals a MIDI velocity of 1.
Capturing this information is very important to
preserving the feel of a performance, and can
add life to MIDI tracks that lack dynamics.
To extract a Groove Template:
1
In the Edit window, make an Edit selection
(including audio or MIDI). The selection should
consist of one or more complete bars, starting
and ending on downbeats.
2
In the Beat Detective window, select
Groove
Template Extraction
.
3
Define or capture the selection as described in
“Defining a Beat Detective Selection” on
page 552.
4
Configure the Detection options so the selec-
tion’s peak transients (or MIDI Note Ons) are ac-
curately detected (see “Generating Beat
Triggers” on page 554).
5
Click
Extract
.
6
In the Extract Groove Template dialog, enter
comments about the groove. You can enter a
maximum of 255 characters to describe the
groove. Comments can be viewed using the
Show Info button in the Beat Detective window.
Beat Detective only captures duration data
from MIDI tracks, not from audio tracks.
When extracting Groove Templates, the
captured selection must not include Bar|Beat
Markers. Otherwise, the accuracy of the
Groove Template will be compromised.
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
Page 1080: ...Pro Tools Reference Guide 1062 ...
Page 1111: ......