Chapter 39: Event Operations
809
Quantizing Elastic Audio
Pro Tools lets you apply Quantize to Elastic Au-
dio events as well as MIDI notes. Quantize can
be applied to Event and Warp markers closest to
the quantize grid on Elastic Audio-enabled
tracks, regardless of whether they are sample- or
tick-based. When quantizing, Event markers
closest to the quantize grid are promoted to
Warp markers and all Warp markers closest to
the quantize grid are quantized based on the
Quantize settings.
Quantization can also be applied to region start
times (or sync points) on all audio tracks,
whether they are Elastic Audio-enabled, or sam-
ple- or tick-based. This lets you quickly quantize
audio regions without applying TCE, and is es-
pecially useful when working with “one-shot”
regions (single-event regions) such as sliced re-
gions or region groups.
To quantize Elastic Audio events:
1
Select the audio you want to quantize on Elas-
tic Audio-enabled tracks. (Audio not on Elastic
Audio-enabled tracks will not be quantized.)
2
Choose
Events > Event Operations > Quantize
.
3
In the Quantize window, select
Elastic Audio
Events
from the What to Quantize pop-up
menu.
4
Set the Quantize Grid and Options settings.
5
Click
Apply
.
The Warp and Event markers closest to the
Quantize Grid are quantized accordingly. TCE is
applied between these markers and all other
markers maintain their position relative to the
Quantize Grid.
Applying a 1-bar groove template in 4/4 to a 3-bar
selection in different meters
You can reset the groove template grid by
adding a new meter marker (it can be the
same meter). The groove template will
restart at the meter marker regardless of the
measure number or whether or not the meter
has actually changed.
3-bar selection of changing meters
4/4 bar 1
4/4 bar 1
4/4 bar 1
(not used)
Groove template
Use Restore Performance to undo quantiza-
tion of audio and MIDI. See “Restore Perfor-
mance” on page 810.
Quantized Elastic Audio Events in Warp view
before quantizing
after quantizing
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
Page 1080: ...Pro Tools Reference Guide 1062 ...
Page 1111: ......