Chapter 5: System Setup
53
tion, then select the Legacy I/O (such as an
882|20 I/O), in the Peripherals list, and select No
Interface in the
Interface
pop-up menu. (The
96i I/O does not support Legacy I/O.)
6
Select which digital I/O port on your audio in-
terface enclosure is active under Digital Format.
Choices include: AES/EBU, S/PDIF, and Optical
(S/PDIF). Selecting Optical (S/PDIF) resets the
Optical I/O port (which is, by default, eight
channels of ADAT I/O) to two channels of
S/PDIF Optical I/O. (The 96i I/O supports stereo
S/PDIF RCA digital input and output only.)
7
For S/PDIF compatibility with Tascam DA-30
DAT recorders select the
Tascam
option under
S/PDIF Format.
8
For the 96 I/O and 96i I/O, click the
Meters
pop-up menu and select whether to meter the
input or output signal.
9
From the
Input
and
Output
pop-up menus, se-
lect the physical ports (such as Analog 1–2 or
Optical 1–2), that will be routed to the corre-
sponding Pro Tools input and output channels
(such as Ch 1–2 or Ch 3–4), listed on the left side
of the Main page. (This feature is not available
with the 96i I/O.)
Inputs and outputs of similar format are differ-
entiated in the input and output channel pop-
up menus. For example, the AES/EBU inputs and
outputs in the 192 I/O enclosure are listed as
AES/EBU [Encl], while the AES/EBU inputs and
outputs on the factory-installed Digital I/O card
are listed (in pairs) as AES/EBU 1–2, AES/EBU
3–4, AES/EBU 5–6, and AES/EBU 7–8. For
192 I/Os equipped with the optional Digital I/O
Card, the additional AES/EBU I/O ports on the
optional card are listed as AES/EBU 9–10,
AES/EBU 11–12, AES/EBU 13–14, and AES/EBU
15–16.
10
Click other tabs (such as Analog In and Ana-
log Out) for additional configuration options
specific to the audio interface. These include:
• On the 96 I/O, configuring the operating
levels of analog inputs and outputs (+4 dBu
or –10 dBV).
• On the 96i I/O, configuring the operating
levels of analog inputs and outputs (+4 dBu
or –10 dBV).
• On the 192 I/O analog input, setting the in-
put connector and Soft Limit
• On the 192 I/O, configuring the two sets of
trims for analog inputs and outputs.
• On the 192 I/O and 192 Digital I/O, config-
uring real-time Sample Rate Conversion for
digital inputs.
• On the 192 I/O and 192 I/O Digital I/O,
configuring inputs and outputs on any op-
tional A/D card, D/A card, or Digital I/O
cards installed in the unit.
For more information about Pro Tools|HD
enclosure and card ports, refer to the guide
for your audio interface.
Refer to your peripheral’s guide for configu-
ration details and restrictions. For example,
the Optical 1–8 channels (on the 192 I/O
enclosure) will not be available at session
sample rates of 88.2 kHz or higher, while
the ports on the 192 I/O Digital I/O card
will still be available.
For more information on Hardware Setup
controls for each Pro Tools|HD audio inter-
face, refer to the Pro Tools|HD Setup Guide or
the guide for that audio interface.
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
Page 1080: ...Pro Tools Reference Guide 1062 ...
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