Pro Tools Reference Guide
74
Systems of equivalent I/O capability are
remapped directly. For example, a session
tracked to a Pro Tools|HD system through two
192 I/O audio interfaces would include 32 input
paths spread across the two 16-channel inter-
faces. The session is taken to a second Pro Tools
system that has a 96 I/O audio interface (a 16-
channel I/O unit) and a 1622 I/O (with its 16 an-
alog inputs) connected to its Legacy Port. When
the session is first opened on the second system,
Pro Tools will map the 32 input paths to the in-
puts of the two interfaces.
When hardware is unavailable to a session being
opened, assignments can either be replaced us-
ing the remap option, or opened as Inactive.
Any tracks left assigned to an unavailable path
will not be audible. This can be beneficial, how-
ever, when you want to reassign tracks into your
system’s mix one at a time.
Show Last Saved Setup and Show Current
Setup
When a session is opened that contains path
definitions for unavailable I/O interfaces, the
I/O Setup dialog lists those paths in italics.
Clicking the
Show Last Saved Setup
button dis-
plays the audio interfaces used in the original
session. This temporary display lets you check
the last saved I/O configuration for reference
while configuring the session for your system.
Once a session has been opened with unavail-
able I/O retained, you can then reassign tracks
to available I/O paths.
Opening Older Sessions Saved in
Direct Outputs Mode
Direct Outputs mode, as found in older versions
of Pro Tools, has been replaced by the default
mono sub-paths available through all valid I/O
in the I/O Setup dialog.
Clicking the
Default
button creates main Output
paths with appropriate mono sub-paths. These
sub-paths provide discrete monophonic rout-
ing.
When a session is opened that was saved in Di-
rect Outputs mode, Pro Tools maps all the out-
put assignments to equivalent mono sub-paths
(as available).
To convert a session so that it emulates Direct
Outputs mode, use the Auto Assign Ascending
Outputs feature, as follows:
To auto assign track outputs for Direct Outputs:
1
Make sure that all tracks you want to assign
are visible (hidden tracks will not be affected).
2
Select the tracks you want to assign.
3
Control-Alt-click (Windows) or Command-
Option-click (Mac) the Output selector of the
left-most track and assign it to the sub-path for
Output #1. All visible tracks will be auto-as-
signed to unique mono sub-path outputs in as-
cending order.
See “Making Paths Active or Inactive” on
page 69 for more information.
To redefine the paths, see “Editing Paths”
on page 66.
You can identify audio interface connec-
tions at any time by selecting the interface
name in the Peripherals list of the Hardware
Setup dialog, then clicking Identify. All
LEDs on the corresponding interface front
panel illuminate.
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
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Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
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Page 1025: ...1007 Part XI Sync and Video ...
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