Chapter 6: I/O Setup
77
To set which output path is muted when tracks are
soloed in AFL or PFL Solo mode:
1
Choose
Setup > I/O
.
2
Click the Output tab to display the Output
page.
3
Select a path from the
AFL/PFL Mutes
(Output
Path) pop-up menu.
4
Click
OK
to save your changes to the I/O Setup
and close the I/O Setup dialog.
Default Path Order
(Pro Tools HD and Pro Tools LE with Complete
Production Toolkit Only)
The
Default Path Order
pop-up menu lets you se-
lect the default track layout you want Pro Tools
to follow when creating and mapping 5.1-for-
mat main or sub-paths in the I/O Setup dialog.
This selector is only available in the Output page
of I/O Setup dialog.
This setting does not affect existing path defini-
tions or metering—it only specifies channel
mapping in new 5.1-format paths.
To choose a Default Path Order:
Select the channel mapping from the
Default
Path Order
pop-up menu.
Mic Preamps
(Digidesign PRE with Pro Tools HD Only)
On the Mic Preamps page of the I/O Setup dia-
log, signal paths for one or more Digidesign PRE
multi-purpose microphone preamplifiers can be
mapped to Pro Tools HD audio interfaces. For
more information, see the
PRE Guide
.
H/W Insert Delay
Compensation
(Pro Tools HD Only)
To compensate for the delay (latency) of any ex-
ternal hardware devices (such as an effects unit)
used in your session, you can set the amount of
Delay Compensation (in milliseconds) for each
external device. These times will be used by the
Delay Compensation Engine to time-align input
paths when the hardware insert is in use and De-
lay Compensation is enabled.
Default Path Order selector
For more information about multichannel
mixing, see Chapter 44, “Pro Tools Setup
for Surround.”
Insert offset delay field
Insert offset delay field
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
Page 1080: ...Pro Tools Reference Guide 1062 ...
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