Chapter 47: Working with Synchronization
1009
Chapter 47: Working with
Synchronization
Synchronization allows one system to output
time code and the other device to
chase
(follow)
that time code. Pro Tools is synchronized to
other devices using SMPTE/EBU time code or
MIDI Time Code.
Pro Tools Synchronization
Options
There are several options for synchronizing
Pro Tools to an external source or using
Pro Tools as the master device. Not all options
are available on all Pro Tools systems, as noted.
SMPTE Trigger Only
This solution is useful for short projects if both
systems are extremely close in speed, but even
the best systems will rarely stay perfectly syn-
chronized for longer than a couple of minutes.
SMPTE Trigger Resolved with a SYNC
Peripheral
(Pro Tools HD Only)
You can use an optional Digidesign Synchroni-
zation peripheral (such as the SYNC HD) to re-
solve Pro Tools recording and playback speed
with any of the following clock reference
sources while slaving Pro Tools to time code:
• LTC
• Video source
• House video reference (SD or HD)
• VITC
• 1x Word Clock
• AES/EBU “null” clock
• Pilot Tone
• Bi-Phase
This enables long-term, high-fidelity synchroni-
zation when all transports within the system are
resolved to this common synchronization
source, or by resolving to any variations in in-
coming time code while slaving to time code.
For more information on different
SMPTE/EBU formats, and other concepts
related to time code, refer to the Pro Tools
Sync & Surround Concepts Guide
.
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
Page 1080: ...Pro Tools Reference Guide 1062 ...
Page 1111: ......