Pro Tools Reference Guide
970
Final Mixdown
In final mixdown, you create a mix that in-
cludes all your edits, automation, and effects
processing.
To bounce a final mix to disk:
1
Adjust track output levels, and finalize any
mix automation for each track in the session.
2
Adjust any real-time plug-in and effects set-
tings and their automation for each track in the
session.
3
Make sure that all of the tracks you want to in-
clude in the bounce are audible (not muted or
inactive).
4
Assign the output of each of the tracks you
want to include in your bounce to the same out-
put or bus path.
5
Add dither (see “Dithering” on page 960).
6
Do one of the following:
• To bounce the entire session, click Return
to Zero in the Transport to go to the begin-
ning of the session.
– or –
• To bounce a portion of the session, enable
Options > Link Timeline and Edit Selection
,
and make a selection in the Edit window.
7
Choose
File > Bounce to > Disk
.
8
Choose the source path you want to bounce.
9
Configure other Bounce to Disk settings as ap-
propriate. See “Bounce Options” on page 963.
10
Click
Bounce
.
11
Select a destination for the new audio file,
enter a name, and click
Save
.
By default, the bounce will end at the last
audio waveform or MIDI note. To end the
bounce sooner, make an Edit or Timeline
selection to define the end (and start) of the
bounce.
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
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