Chapter 38: Elastic Audio
783
Range Warp with an Edit Selection
Pro Tools lets you apply Range Warp between
bounding Warp markers, but keeps the timing
intact between other Warp markers within an
Edit selection.
To apply Range Warp with an Edit Selection:
1
In Warp view, add a Warp marker at the first
point that you want to fix to the Timeline.
2
Add another Warp marker to the end point
that you want to fix to the Timeline.
3
Add any number of Warp markers in between.
4
With the Selector tool, make an Edit selection
that includes the Warp markers in between the
bounding Warp markers.
5
With the Grabber tool, drag any of the Warp
markers within the Edit Selection to the left or
the right.
Elastic Audio processing is only applied to the
audio between the bounding Warp markers and
the first and last Warp markers in the Edit Selec-
tion. All audio between the first and last Warp
markers in the Edit Selection maintain their rel-
ative timing.
Individual Range Warp
Individual Range Warp applies warping to a sin-
gle audio event in relation to the adjacent audio
events.
To apply Individual Range Warp:
1
In Warp view, with the Grabber tool, Shift-
click a Warp marker or an Event marker. If not
already present, Warp markers are automatically
created on the adjacent Event markers.
2
Drag to the left or right to warp the clicked
event.
Applying Range Warp to a selection between bounding
Warp markers
before warping
after warping
Applying Individual Range Warp
before warping
after warping
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
Page 1080: ...Pro Tools Reference Guide 1062 ...
Page 1111: ......