Chapter 26: Fades and Crossfades
521
To fade from the insertion point to a region start
point:
1
Place the cursor at a location in the region.
2
Do one of the following:
• Choose
Edit > Fades > Fade To Start
.
– or –
• Press Alt+D (Windows) or
D (Mac).
The fade is applied based on the Fade In prefer-
ences (see “Fade and Crossfade Preferences” on
page 519).
To fade from the insertion point to a region end
point:
1
Place the cursor at a location in the region.
2
Do one of the following:
• Choose
Edit > Fades > Fade To End
.
– or –
• Press Alt+G (Windows) or
G (Mac).
The fade is applied based on the Fade Out pref-
erences (see “Fade and Crossfade Preferences”
on page 519).
Creating a Crossfade
To create a crossfade between two regions:
1
With the Selector tool, click at the point where
you want the crossfade to begin in the first re-
gion and drag to where you want it to end in the
second region. Crossfade selections can begin
and end anywhere in their respective regions.
2
Do one of the following:
• Choose
Edit > Fades > Create
.
– or –
• Press F (Windows) or
F (Mac).
3
Use the view buttons to adjust the view of the
crossfade. It may take a few moments to calcu-
late the waveform display for long selections.
4
Select an
Out Shape
and an
In Shape
.
5
Select a
Linking
option.
6
Click the Audition button to audition the
crossfade. For long crossfades, it may take
Pro Tools a few moments to calculate and load
the audio into playback RAM.
7
Do one of the following:
• Adjust the curves by selecting different pre-
set shapes with the
Out Shape
and
In Shape
pop-up menus.
– or –
• Drag the Fade-In and Fade-Out curves to a
custom shape. By choosing None as the
Linking option, you can drag the begin-
ning or end points of a fade curve to adjust
its beginning or end point.
8
Click the Audition button to audition the
crossfade again.
To apply a Crossfade using the Default
Crossfade setting (in the Editing Preferences),
and without opening the Fades dialog, press
Start+F (Windows) or
F (Mac).
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
Page 1080: ...Pro Tools Reference Guide 1062 ...
Page 1111: ......