Pro Tools Reference Guide
76
AFL/PFL Path
(Pro Tools HD and Pro Tools LE with Complete
Production Toolkit Only)
Tracks soloed in AFL (After Fader Listen) or PFL
(Pre Fader Listen) Solo mode are routed to the
current AFL/PFL Path, as set with the
AFL/PFL
Path
pop-up menu.
This pop-up menu is available in the Output
page of the I/O Setup dialog only.
To select the AFL/PFL Path output:
Select a path from the
AFL/PFL Path
pop-up
menu.
Setting AFL or PFL Path Levels
You can set a separate master AFL/PFL Path level
for all AFL solos and all PFL solos.
To set the AFL/PFL Path level for AFL or PFL solos:
1
Choose
Options > Solo Mode
, and select a Solo
mode, as follows:
• If you want to set the level for AFL solos,
select
AFL
.
– or –
• If you want to set the level for PFL solos,
select
PFL
.
2
In the Mix or Edit window, Control-click
(Windows) or Command-click (Mac) a Solo but-
ton on any track.
3
Adjust the AFL/PFL Path fader.
4
Click on the new fader position (or press Esc)
to close the fader display.
AFL/PFL Mutes (Output Path) Selector
(Systems without a D-Control or D-Command
Control Surface)
If you are not using a D-Control or D-Command
worksurface, your regular Pro Tools output path
can be muted when you send a signal to the
AFL/PFL Path. The muted path is set with the
AFL/PFL Mutes (Output Path) selector.
See “Solo Modes” on page 189 for more in-
formation on using AFL or PFL Solo modes.
Selecting None as the AFL/PFL Path disables
AFL and PFL Solo modes. When None is se-
lected, AFL and PFL cannot be used.
If you do not see the AFL/PFL Path selector,
confirm that you have installed the Sur-
round Mixer in the Plug-ins (Used) folder.
For information on switching Mixer plug-
ins, see the Pro Tools|HD Setup Guide.
Tracks do not need to be soloed to have the
master AFL/PFL Path level adjusted.
To set the AFL/PFL Path level to 0 dB, Con-
trol-Start-click (Windows) or Command-
Control-click (Mac) any Solo button.
See “Solo Modes” on page 189 for more
information on selecting and using AFL or
PFL Solo modes.
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
Page 1080: ...Pro Tools Reference Guide 1062 ...
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