Pro Tools Reference Guide
578
3
To define a dotted or triplet value, do one of
the following:
• To dot the selected Grid value, click the
Grid Value selector again and select
Dotted
.
– or –
• To make the selected Grid value a triplet,
click the Grid Value selector again and se-
lect
Triplet
.
4
Verify the default session meter and tempo
(see “Setting the Session Meter” on page 351
and “Setting the Session Tempo” on page 351).
To show (or hide) grid lines in the Edit window or in
a MIDI Editor window:
Select (or deselect) the Grid button.
The Pencil Tool
The Pencil tool is useful for creating and editing
MIDI data. The first five Pencil tool shapes (Free
Hand, Line, Triangle, Square, and Random) can
be used to create MIDI notes with varying dura-
tions and velocities. In the Edit window MIDI
Editor windows, and the Score Editor window,
note velocities are determined by the Pencil tool
shape). The various Pencil tool shapes can be
particularly useful for drawing and editing dif-
ferent types of MIDI control data—for example,
try using Line for volume, Triangle for pan, Free
Hand for pitch bend, and Square or Random for
velocity.
To select the Pencil tool shape:
1
Click the Pencil tool icon in the Toolbar for
the Pencil tool shape pop-up menu.
2
Select a Pencil tool shape.
Free Hand
In the Edit window on MIDI and Instrument
tracks in Notes view, in MIDI Editor windows,
and in the Score Editor, the Free Hand shape in-
serts a single MIDI note whose velocity is de-
fined by the Default Note On Velocity setting.
The pitch, location, and duration of the note are
determined by where on the track you click with
the mouse.
For more information on Grid mode, see
“Grid” on page 446.
Grid button selected in the Edit window
Grid button
Parabolic and S-Curve Pencil shapes are
used for drawing tempo events only in the
Tempo Editor. See “Drawing Tempo
Events” on page 677.
Pencil tool shape pop-up menu
Pencil tool
shapes
available for
MIDI
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
Page 1080: ...Pro Tools Reference Guide 1062 ...
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