Pro Tools Reference Guide
186
The voice is assigned to the first track, with suc-
cessive voices assigned to tracks (with the same
format) of lower priority.
To assign all selected audio tracks to successive
voices:
1
Select the audio tracks by Control-clicking
(Windows) or Command-clicking (Mac) their
names.
2
While pressing Alt+Shift (Windows)
or Shift (Mac), select the
starting voice number from the Voice selector
for the left (Mix window) or top (Edit window)
selected track.
The voice is assigned to the starting track, with
successive voices assigned to currently selected
tracks (with the same format) of lower priority.
Voice Borrowing
(Pro Tools HD Only)
Pro Tools HD features
voice borrowing
, which lets
you assign more than one track to the same
voice. The track with the highest priority takes
over that voice, but when a hole opens up in the
higher-priority track, its shared voice is tempo-
rarily available, and the track with the next
highest priority “sounds through” and begins to
play. When the original track returns, the track
that had sounded through relinquishes the
shared voice to the higher priority track.
The following example demonstrates the con-
cept of voice borrowing:
In Figure 7 above, the two visible tracks are as-
signed to the same voice. There is an open area
in the top track where no region appears. At this
point, the voice is free since it is not being used,
and the next highest priority track assigned to
that voice (the bottom track) sounds through
the open area and plays.
By experimenting with track priority, voice
assignment, and arranging regions so that they
are positioned to sound through holes in
higher priority tracks, you can find many useful
ways to maximize voiceable tracks with
Pro Tools HD.
Assigning MIDI Inputs and
Outputs to Tracks
MIDI recording and playback is supported with
MIDI tracks and Instrument tracks.
To select multiple tracks, Control-click
(Windows) or Command-click (Mac)
additional Track Names.
To select a range of tracks, Shift-click
additional Track Names.
Figure 7. “Rhythm” regions play only when there is no
“Lead” region
For information on naming and configuring
the MIDI ports in your system, your Setup
Guide. For Windows, see Appendix C,
“Configuring MIDI Studio Setup.” For Mac,
see Appendix D, “Configuring AMS.”
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
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Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
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Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
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Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
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Page 1025: ...1007 Part XI Sync and Video ...
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