Pro Tools Reference Guide
348
In general, the
Use All Available Space
preference
makes hard drives work harder. In addition to
record and punch lag times, many systems see
better overall recording performance when the
Open Ended Record Allocation
setting is limited.
To allocate a specific amount of time to recording:
1
Choose
Setup > Preferences
and click the
Operation tab.
2
Under
Open Ended Record Allocation
, select
Limit To
and enter the number of minutes to be
allocated.
The number of minutes specified is allocated for
each record-enabled track.
3
When you are finished, click
OK
.
Monitoring Drive Space
Pro Tools lets you check how much drive space
is available. The Disk Usage window shows the
available drive space for each drive connected to
your system as text and as a gauge display.
To monitor available space on your drive during a
Pro Tools session:
Choose
Window > Disk Space
.
To display available drive space in Text Only view
only:
From the Disk Usage menu, select
Text Only
.
Recording with a Click
(Optional)
If you intend to work with MIDI or Instrument
tracks in your session, or if the audio you’re
working with is bar and beat-oriented, you can
record your tracks while listening to a
click
. This
ensures that recorded material, both MIDI and
audio, aligns with the session’s bar and beat
boundaries.
When your track material lines up with the
beats, you can take advantage of some very use-
ful editing functions in Pro Tools, such as quan-
tizing MIDI and audio events or regions, quan-
tizing individual MIDI notes, and copying and
pasting measures and song sections in Grid
mode.
Open Ended Record Allocation, Operation preference
Disk Usage window
Disk Usage window, selecting Text Only view
Material that is recorded without listening
to a click can still be aligned to bar and beat
boundaries in Pro Tools with Beat Detective
(see Chapter 28, “Beat Detective”), or by us-
ing the Identify Beat command to determine
the tempo (see “Identify Beat Command”
on page 689).
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
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Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
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Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
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Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
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Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
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Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
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Page 1025: ...1007 Part XI Sync and Video ...
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