Pro Tools Reference Guide
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To relocate a Warp marker (without applying
warping):
With the Grabber or the Pencil tool, Start-
click (Windows) or Control-click (Mac) and drag
a Warp marker to a new location.
To delete a Warp marker:
In Warp view, do one of the following:
• With the Grabber tool, double-click a Warp
marker.
• With the Grabber or the Pencil tool, Alt-
click (Windows) or Option-click (Mac) a
Warp marker.
• With any Edit tool, Right-click a Warp
marker and select
Remove Warp Marker
from
the pop-up menu.
To delete all Warp markers in a selection:
1
In Warp view, make an Edit selection that in-
cludes only the Warp markers you want to de-
lete (and none of the Warp markers you want to
keep).
2
Do one of the following:
• Press Delete or Backspace on your com-
puter keyboard.
– or –
• With any Edit tool, Right-click the Edit se-
lection and select
Remove Warp Marker
from
the pop-up menu.
Tempo Event–Generated Warp Markers
Tempo Event–generated Warp markers are not
editable and are only displayed to indicate
where Elastic Audio processing has been applied
to conform the audio to Tempo Events. You will
only see Tempo Event–generated Warp markers
on tick-based tracks.
If you change the track timebase from ticks to
samples, any Tempo Event–generated Warp
markers convert to regular, editable Warp mark-
ers.
Warping Audio
In Warp view, you can manually warp audio in
three specific ways: Telescoping Warp, Accor-
dion Warp, and Range Warp.
Telescoping Warp
Telescoping Warp can be applied to any audio
region before or after a Warp marker as long as
no other Warp marker precedes or follows it ac-
cordingly. The audio can be on a sample- or tick-
based track. Telescoping Warp is especially use-
ful for adjusting audio files to match the session
tempo map and Bar|Beat grid.
For more information, see “Tempo Changes
and Tick-Based Elastic Audio Tracks” on
page 674.
Automation does not follow manual warp-
ing of audio regions, including TCE trim-
ming and quantization of Elastic Audio.
However, automation does follow tempo
changes on tick-based tracks.
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
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