Chapter 45: Multichannel Tracks and Signal Routing
987
Pro Tools bussing and submixing features are
available for all channel formats, from
mono/stereo through 8-channel. For examples
of multichannel monitoring, effects processing,
and bussing, see “Mixing with Paths and Sub-
Paths” on page 988. For mono and stereo mix
examples, see Chapter 40, “Basic Mixing.”
Multichannel Auxiliary Inputs and
Master Faders
A multichannel Auxiliary Input or Master Fader
is used as a return for the multichannel bus.
Sends are useful when you need to create an ad-
ditional, independent mix simultaneously (per-
haps of a distinct format), requiring dedicated
fader, mute, solo, and automation controls.
You can assign Master Faders to main and sub-
paths. Main paths must match the format of the
Master Fader, and only one Master Fader can be
active and assigned to any single (active) main
or sub-path. A Master Fader cannot be assigned
to a sub-path if its associated main path is al-
ready assigned on another Master Fader. See
“Master Fader Tracks” on page 830.
Multichannel Instrument Tracks
Multichannel tracks can be used to monitor and
route multichannel instrument plug-ins or mul-
tichannel external MIDI instruments.
Mono, Multi-Mono and
Multichannel Plug-ins
Plug-ins can be used in mono, multi-mono, or
multichannel formats.
For information about mono, stereo, and mono-
in/stereo-out plug-ins, see Chapter 41, “Plug-in
and Hardware Inserts.”
Multi-Mono Plug-ins
Are designed for use on ste-
reo or greater-than-stereo multichannel tracks.
Multi-mono plug-ins are useful, or required, in
the following situations:
• When a plug-in does not involve multichan-
nel correlated processing (for example, when
applying EQ to select sides of a multichannel
signal)
• When you need to adjust signals within the
multichannel track independently
• When a plug-in does not support multichan-
nel formats
When a multi-mono plug-in is first inserted on a
multichannel track, the plug-in controls are
linked. You can unlink them for independent
adjustment. See “Linking and Unlinking Con-
trols on Multi-Mono Plug-ins” on page 987 for
more information.
Multi-mono plugs-ins can also be inserted on
stereo tracks, to apply unlinked plug-ins on the
left and right channels.
Multichannel Plug-ins
Are designed for use on
stereo and multichannel tracks that require cor-
related processing, including stereo and multi-
channel limiting, compression, and similar ef-
fects.
Linking and Unlinking Controls on Multi-
Mono Plug-ins
When a multi-mono plug-in is used on a multi-
channel track of more than two channels, the
controls are normally linked. Adjusting the
Gain control on one channel, for example, will
adjust it for all channels.
If necessary, you can unlink plug-in controls on
specific channels of a track and edit them inde-
pendently. You can also selectively link the con-
trols of specific channels.
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
Page 1080: ...Pro Tools Reference Guide 1062 ...
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