Chapter 41: Plug-in and Hardware Inserts
871
Chapter 41: Plug-in and Hardware
Inserts
Pro Tools provides up to ten unity-gain inserts
on each audio, Auxiliary Input, Master Fader,
and Instrument track. Audio, Auxiliary Input,
and Instrument track inserts are pre-fader, and
Master Faders inserts are post-fader.
An insert can be either a software DSP
plug-in
or
a
hardware insert
. A Pro Tools insert
routes the
signal from the track to a plug-in or external
hardware effect of your choice and automati-
cally returns it to the same track. Inserts do not
alter the original audio source files, but process
audio in real time, during playback. You can
permanently apply real-time effects to tracks by
recording or bouncing the effect to disk (see
Chapter 43, “Mixdown” for more information).
Plug-in Inserts
Plug-in inserts are software in-
serts that process audio material on a track in
real time. For example, the DigiRack EQ, com-
pressor, and delay plug-ins supplied with your
Pro Tools system can be used as real-time plug-
in inserts.
Additional real-time plug-ins are available from
Digidesign and from many third-party develop-
ers.
Hardware I/O Inserts
Hardware I/O inserts can
route audio through an external device con-
nected to parallel inputs and outputs of an au-
dio interface. You can process the audio material
on a track with a hardware insert in real time.
Insert button and selector on a track
Insert button
Insert selector
For more information about the plug-ins in-
cluded with your Pro Tools system (as well
as those that can be purchased separately),
see the DigiRack, Digidesign, Pro Tools Cre-
ative Collection, Bomb Factory, and TL
Labs Plug-ins Guides.
For information about optional Digidesign
and third-party plug-ins, visit the Digi-
design website (www.digidesign.com).
Hardware I/O insert
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
Page 1080: ...Pro Tools Reference Guide 1062 ...
Page 1111: ......