Pro Tools Reference Guide
830
Master Fader Tracks
Master Fader tracks control the master output
levels of output and bus paths. When assigned
to an active output or bus path, they provide
post-fader effects processing and master level
control for a main mix, headphone and cue
mixes, stems, effects sends, and other signal
routing applications. Master Faders support all
track formats supported on your Pro Tools sys-
tem.
Unlike inserts on audio tracks and Auxiliary In-
puts, Master Fader inserts are post-fader. This
lets you insert a dither plug-in, or similar plug-
in, on your master mix, and affect its processing
with the Master Fader level. For more informa-
tion, see “Dither” on page 866.
Master Faders provide up to five
post-fader
in-
serts and no sends. Also, Master Fader tracks do
not have Pan sliders, or Mute and Solo buttons.
Common Uses for Master Faders
Master Faders can be used to:
• Control and process output mixes
• Monitor and meter an output (such as a bus
or hardware output) to guard against clip-
ping
• Control submix levels
• Control effects sends levels
• Control submaster (bussed tracks) levels
• Apply dither or other inserts to an entire
mix
Use Master Faders to control submix levels, send
level masters, and other outputs. Master Faders
can control either audio interface outputs or in-
ternal busses. A Stereo Master Fader controls the
level of a pair of outputs. Master Faders do not
consume any of your system’s audio processing
power.
To use a Master Fader as a stereo master volume
control:
1
Create a stereo Master Fader track.
2
Set the outputs of all audio tracks in the ses-
sion to the main output path (for example, out-
puts 1–2 of your primary audio interface) and set
the panning for each track.
3
Set the output of the Master Fader to the main
output path.
Master Fader track audio signal flow
Inserts,
Volume
(plug-ins or
Output
post-fader
hardware)
Main Output
Additional Outputs
+
Input (source) determined by
output assignment (of other
tracks)
If you absolutely must have a pre-fader in-
sert on your Master Fader signal, set up an
Auxiliary Input before the Master Fader.
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
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Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
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Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
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Page 1025: ...1007 Part XI Sync and Video ...
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