Chapter 41: Plug-in and Hardware Inserts
897
Bypassing Plug-ins
Plug-ins can be bypassed from their Plug-in win-
dow, or from the Mix and Edit window Inserts
View.
To bypass a plug-in, do one of the following:
Click the Plug-in window’s Effect Bypass but-
ton.
– or –
Control-click (Windows) or Command-click
(Mac) the plug-in’s Insert button in the Mix or
Edit window.
When a plug-in is bypassed, its Insert button
turns blue. If only some of the channels of a
multi-mono plug-in are bypassed, its Insert but-
ton turns purple.
Linking and Unlinking Controls
on Multi-Mono Plug-ins
When a multi-mono plug-in is used on a stereo
track or greater-than-stereo multichannel track
(Pro Tools HD and Pro Tools LE with Complete
Production Toolkit Only), the controls are
linked by default. Adjusting the Gain control on
one channel, for example, will adjust it for all
channels.
You can unlink multi-mono plug-in controls on
specific channels of a track and edit them inde-
pendently. You can also selectively link the con-
trols of specific channels.
To unlink controls on a multi-mono plug-in:
Deselect the Master Link button.
To access controls for a specific channel:
Select the channel from the Channel selector.
To link the controls of specific channels:
1
Deselect the Master Link button if it is not al-
ready deselected.
When a plug-in insert is bypassed, the In-
sert selector in the Mix window changes its
color to blue for easy visual reference. If
some, but not all channels of an unlinked
multi-mono plug-in are bypassed, the Insert
selector appears purple.
Indication of bypassed plug-in state
bypassed (blue)
not bypassed
Channel selector and Link controls (shown with Link
disabled)
Channel Selector
Link Enable buttons
Master Link button
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
Page 1080: ...Pro Tools Reference Guide 1062 ...
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