Chapter 15: Importing and Exporting Session Data
277
Supported Audio File Formats
Audio files of the following types can be im-
ported into Pro Tools sessions:
• AIFF
• WAV or BWF (.WAV)
• SD II
• SD I
• MP3
• MXF audio
• Sound Resource (AIFL—Mac only)
• WMA (Windows Media—Windows only)
• QuickTime (Mac only)
• AAC audio (including audio with AAC,
Mp4, and M4a file extensions)
• ReCycle (REX 1 and 2) files
• ACID files
Sample Rate Conversion Quality
The
Sample Rate Conversion Quality
setting deter-
mines the quality of sample rate conversion
used when converting and importing audio into
a session. It can also applied when exporting
files at different sample rate and when bouncing
to disk. There are five possible settings, ranging
from
Low
(fastest, but lowest quality) to
Tweak
Head
(highest quality, but slowest). The higher
the quality of sample rate conversion you
choose, the longer Pro Tools will take to process
the audio file.
The
Sample Rate Conversion Quality
options are
available in the Import Audio, the Import Ses-
sion Data, the Export Regions as Files, and the
Bounce to Disk dialogs. In each case, the
Sample
Rate Conversion Quality
setting is local to that
specific dialog. The
Sample Rate Conversion Qual-
ity
preference only applies to conversion on im-
port by drag and drop.
To set the sample rate conversion quality for
importing audio by drag and drop:
1
Choose
Setup > Preferences
and click the
Processing tab.
2
From the
Sample Rate Conversion Quality
pop-
up menu, select a quality setting. For most appli-
cations, the
Good
or
Better
setting will yield very
good results.
3
Click
OK
.
Bit Depth Conversion and Dithering
When importing audio at a lower bit depth than
the session, Pro Tools converts the file to match
the session bit depth by adding empty bits. For
example, when importing a 16-bit file into a
24-bit session, Pro Tools converts the file to
24-bit.
When importing audio at a higher bit depth
than the session, Pro Tools automatically ap-
plies a preset, noise-shaped dither and converts
the file to the session bit depth. For example,
when importing a 24-bit file into a 16-bit ses-
sion, dither is applied automatically and the file
is converted to 16-bit.
Pro Tools cannot import protected AAC or
MP4 files with the .M4p file extension.
These files are protected under the rules of
digital rights management.
Sample Rate Conversion Quality preference
The Import Audio, Import Session Data,
and Bounce To Disk dialogs provide local
controls for sample rate conversion quality.
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
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Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
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Page 1025: ...1007 Part XI Sync and Video ...
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