Chapter 27: Playlists
541
Matching Criteria
The Matching Criteria window lets you select
the criteria for matching alternate regions. This
lets you refine the list of available matching re-
gions in the Alternate Takes pop-up menu and
Region Right-click Matches submenu.
To configure the Matching Criteria options for
matching alternate regions:
1
Do one of the following:
• Right-click the region with the Selector or
the Grabber tool and select M
atches >
Match Criteria
.
– or –
• With the Selector tool, Control-click (Win-
dows) or Command-click (Mac) at the pre-
cise beginning of the loop or punch range
and select
Match Criteria
.
2
In the Matching Criteria window, select any
combination of the following Alternates Match
options:
• Track ID
• Track Name
• Region Rating
3
Select one of the following In Addition To op-
tions:
• All
• Region Start
• Region Start and End
• Within Selection
• None
4
Leave the Matching Criteria window open to
change the settings as appropriate while com-
positing tracks. Close the Matching Criteria win-
dow when you are done.
Alternates Match Options
The following Alternates Match options can be
selected in any combination:
Track ID
Any regions recorded to the same track
are considered matching. Use this option for se-
lecting alternate takes from loop or punch re-
cording.
Track Name
Any regions that share the same
root name with the track or playlist are consid-
ered matching. For example, the Matches for a
track named “Gtr.L” would show the regions
“Gtr.L_01” and “Gtr.L_02-01,” but not “Gui-
tar.L_01.”
Region Rating
Any regions that have the same
Rating are considered matching. Enable this op-
tion if you have rated regions (see “Rating Re-
gions” on page 509).
Matching Criteria window
Matching Criteria affects MIDI as well as
audio regions.
Matching Criteria settings are saved with
your Pro Tools session.
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
Page 1080: ...Pro Tools Reference Guide 1062 ...
Page 1111: ......