Chapter 21: Punch Recording Modes
419
To DestructivePunch-enable all selected audio
tracks:
Alt-Start-Shift-click (Windows) or Control-
Option-Shift-click (Mac) a track’s Record Enable
button to toggle the Record Enable buttons for
the selected audio tracks solid blue.
DestructivePunch-Enabling and Record-
Enabling Tracks Simultaneously
This method can be used when tracks already
meet the requirements for DestructivePunch re-
cording.
To simultaneously DestructivePunch enable and
record enable an audio track:
Click the track’s Record Enable button. The
track’s Record Enable button flashes blue and
red.
To simultaneously DestructivePunch enable and
record enable all audio tracks:
Alt-click (Windows) or Option-click (Mac) a
track’s Record Enable button. All tracks’ Record
Enable buttons flash blue and red.
To simultaneously DestructivePunch enable and
record enable all selected audio tracks:
Alt-Shift-click (Windows) or Option-Shift-
click (Mac) a track’s Record Enable button. The
Record Enable buttons for the selected audio
tracks flash blue and red.
Track Record Status Display
When Pro Tools is in DestructivePunch mode,
each track’s Record Enable button indicates its
DestructivePunch and record enable status as
follows:
• When a track is both DestructivePunch-en-
abled and record-enabled, its Record Enable
button flashes blue and red.
• When a track is DestructivePunch-enabled
but not record-enabled, its Record Enable but-
ton lights solid blue.
• When a track is record-enabled only, its
Record Enable button flashes red.
• While a track is recording (in any mode), its
Record Enable button lights solid red.
Monitoring and Levels
To complete the setup for DestructivePunch:
1
Configure monitoring for record-enabled
tracks by selecting a mode from the Track menu,
as appropriate. Choices include:
•
Set Record Tracks to Auto Input
•
Set Record Tracks to Input Only
Selecting either monitoring mode only affects
tracks that are record-enabled.
2
Start playback.
3
To compare levels of the input source with au-
dio on disk, click the TrackInput button. When
lit (green), the track is monitoring input. When
unlit (gray), the track is monitoring from disk
(see “Selecting Record Monitor Modes with
TrackInput Monitoring” on page 364).
When you are satisfied with your levels, you are
ready to start punch recording.
Create a VCA group for each stem or set of
tracks on which you plan to punch, and use
the VCA Record Enable button to arm all
tracks in the group for DestructivePunch.
For more information, see “VCA Master
Tracks” on page 832.
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
Page 648: ...Pro Tools Reference Guide 630 ...
Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
Page 680: ...662 ...
Page 756: ...Pro Tools Reference Guide 738 ...
Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
Page 814: ...Pro Tools Reference Guide 796 ...
Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
Page 992: ...974 ...
Page 1000: ...Pro Tools Reference Guide 982 ...
Page 1025: ...1007 Part XI Sync and Video ...
Page 1026: ...1008 ...
Page 1080: ...Pro Tools Reference Guide 1062 ...
Page 1111: ......