Pro Tools Reference Guide
690
Identifying Beats
Identifying the beat of a one-bar drum loop and
creating Bar|Beat Markers for it:
1
Place a one-bar drum loop at the beginning of
an audio track.
2
Select
View > Rulers > Samples
. This ensures
that the selected audio material will be sample-
accurate.
3
Select the audio region with the Time Grabber
tool and choose
Event > Identify Beat
.
4
In the Bar|Beat Markers dialog, specify the
start and end locations for the inserted Bar|Beat
Markers. Since this example deals with a one-bar
loop, enter 1|1|000 and 2|1|000.
5
If necessary, specify a time signature for the
start and end range.
6
Click
OK
to automatically calculate the new
tempo and insert the necessary Bar|Beat Markers
and meter events. Any existing tempo and
meter events residing within the selection are
deleted.
When working with a selection, the
Identify Beat
command only calculates a single tempo for the
selected range. If the tempo varies from measure
to measure, or beat to beat, you’ll need to use
the
Identify Beat
command for each tempo vari-
ance (making sure to accurately define a precise
selection range or beat location for the tempo
change).
To accurately define tempos for a range of audio
with the
Identify Beat
command, make certain
that the initial selection represents an accurate
length of bars and beats. You may want to first
loop the selection on playback to see if it plays
accurately (see “Loop Playback Mode” on
page 338). To avoid drift, and remain sample-ac-
curate, select the audio material with the Time
Scale set to Samples rather than Bars|Beats.
Identify Beat dialog
Bar|Beat Markers inserted
When identifying beats, select as large an
area as possible. For example, if you
have a four-bar-long audio file you want to
identify, select the entire four bars instead
of just one bar, in order to minimize round-
ing errors (see “Sample Rounding and Edit
Operations” on page 670).
Summary of Contents for Digidesign Pro Tools 8.0
Page 1: ...Reference Guide Pro Tools 8 0 ...
Page 18: ...Pro Tools Reference Guide xviii ...
Page 19: ...1 Part I Introduction ...
Page 20: ...2 ...
Page 24: ...Pro Tools Reference Guide 6 ...
Page 40: ...Pro Tools Reference Guide 22 ...
Page 45: ...27 Part II System Configuration ...
Page 46: ...28 ...
Page 58: ...Pro Tools Reference Guide 40 ...
Page 76: ...Pro Tools Reference Guide 58 ...
Page 118: ...Pro Tools Reference Guide 100 ...
Page 127: ...109 Part III Sessions Tracks ...
Page 128: ...110 ...
Page 144: ...Pro Tools Reference Guide 126 ...
Page 170: ...Pro Tools Reference Guide 152 ...
Page 228: ...Pro Tools Reference Guide 210 ...
Page 292: ...Pro Tools Reference Guide 274 ...
Page 343: ...325 Part IV Playback and Recording ...
Page 344: ...326 ...
Page 386: ...Pro Tools Reference Guide 368 ...
Page 442: ...Pro Tools Reference Guide 424 ...
Page 443: ...425 Part V Editing ...
Page 444: ...426 ...
Page 490: ...Pro Tools Reference Guide 472 ...
Page 528: ...Pro Tools Reference Guide 510 ...
Page 566: ...Pro Tools Reference Guide 548 ...
Page 590: ...Pro Tools Reference Guide 572 ...
Page 591: ...573 Part VI MIDI ...
Page 592: ...574 ...
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Page 670: ...Pro Tools Reference Guide 652 ...
Page 679: ...661 Part VII Arranging ...
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Page 769: ...751 Part VIII Processing ...
Page 770: ...752 ...
Page 780: ...Pro Tools Reference Guide 762 ...
Page 786: ...Pro Tools Reference Guide 768 Figure 3 Quantized audio events Warp markers in Warp view ...
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Page 842: ...Pro Tools Reference Guide 824 ...
Page 843: ...825 Part IX Mixing ...
Page 844: ...826 ...
Page 976: ...Pro Tools Reference Guide 958 ...
Page 991: ...973 Part X Surround ...
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Page 1025: ...1007 Part XI Sync and Video ...
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