297
Tip: Gradient fills in an AI file may import more accurately using the AI 7 thru CS – (GSP 2.5)
as Vectors filter.
Map CMYK Values to Recalculated CMYK (Use Gerber Imaging Device Profile)
Choose Recalculated CMYK to translate CMYK colors to brighter or more saturated colors than
the original CMYK colors. A CMYK Source Profile (usually a working color space from Adobe
Illustrator or CorelDRAW) should be chosen on the Profile tab for this option to work properly.
OMEGA Color Management uses this profile when translating colors.
Using the Import Options Profiles tab of the (GSP 2.1) filters
The Profiles tab of the AI, CMX, or EPS Import Options dialog box allows you to choose ICC
Source Profiles and a Gerber Imaging Device Profiles to use when importing an AI, CMX, or
EPS file. Profiles are used by OMEGA’s Color Management to control color translations and
produce the most accurate color results.
Choose an RGB and CMYK Source Profile that identifies the color profile used when creating
the file (usually a working color space from Adobe Illustrator or CorelDRAW). If you choose
None as the Source Profile, the colors are translated without Color Management input.
A Gerber Imaging Device Profile identifies the Gerber Imaging Device, the material, halftone
type, and the resolution for output. Choose the profile from the Gerber Imaging Device Profile
list that matches your output. Turn on ImageRIP devices to include color profiles for
commercial printing in the list.
Restoring factory defaults
Click the Restore Defaults button to return the ICC Profiles to the factory settings. RGB and
CMYK Source Profiles are set to None and the Gerber Imaging Device Profile is set to the
currently assigned Gerber Imaging Device profile from the Color Management dialog box.
Summary of Contents for OMEGA CP
Page 16: ......
Page 20: ......
Page 36: ......
Page 42: ...28 Chapter 4 Saving Files...
Page 44: ......
Page 68: ......
Page 92: ......
Page 96: ...82 Chapter 7 Selecting Elements of the Design...
Page 98: ......
Page 132: ......
Page 146: ......
Page 154: ......
Page 162: ......
Page 182: ......
Page 188: ......
Page 204: ......
Page 234: ......
Page 238: ......
Page 244: ......
Page 254: ...240 Chapter 22 Strokes Adding Print Thickness to the Outline of Objects...
Page 256: ......
Page 282: ......
Page 320: ......
Page 346: ......
Page 358: ......
Page 380: ......
Page 386: ......
Page 418: ......
Page 422: ......
Page 452: ......
Page 462: ......
Page 476: ......
Page 512: ...498 Chapter 44 Creating Special Effects...
Page 514: ......
Page 520: ......
Page 530: ......
Page 540: ......
Page 552: ......
Page 564: ......
Page 606: ......
Page 614: ...600 Chapter 51 Sending the Job to a Plotter or Printer...
Page 694: ......
Page 700: ......
Page 734: ......
Page 748: ......
Page 760: ...746...
Page 776: ......
Page 786: ......
Page 790: ......