17.2.1 Complete Channel Patch Points
or
or
MIC TIE LINE OUT: Studio Microphone Tie-line Outputs
•
Fully-normalled to MIC PREAMP IN
MIC PREAMP IN: Connection point to the Preamp Input
(Upper 200 Slot or Options Bucket In)
•
Feeds the preamp input
•
Fully-normalled from MIC TIE LINE OUT
•
Patching to these points will replace the mic
tie-line feed to the preamp with the patch cord
signal.
•
Not used with 205L Direct Input Module
COMP IN: Compressor Input (200 Slot Input)
•
Half-normalled to COMP SIDE CHAIN IN
COMP SIDE CHAIN IN: Compressor Side-Chain Input
(200 Slot Side-chain Input)
•
Half-normalled from COMP IN
COMP OUT: Compressor Output (200 Slot Output)
•
Returns Pre or Post EQ in the programmed
audio path (Fader 1 or Fader 2)
NOTE: Patching into the COMP SIDE CHAIN IN will
replace the Compressor Input as the input to
the module’s detection path (side-chain)
GATE IN: Gate Input (200 Slot Input)
•
Half-normalled to KEY INPUT
KEY IN: Gate Key Input (200 Slot Key Input)
•
Half-normalled from GATE IN
GATE OUT: Gate Output (200 Slot Output)
•
Returns Pre or Post EQ in the programmed
audio path (Fader 1 or Fader 2)
NOTE: Patching into the KEY INPUT will replace the
Gate Input as the input to the module’s
detection path (key input)
LOWER 200 IN: Lower 200 Slot Input
•
Half-normalled to LOWER 200 SIDE CHAIN IN
LOWER 200 SIDE CHAIN IN: Lower 200 Slot Side-chain
Input
•
Half-normalled from LOWER 200 IN
LOWER 200 OUT: Lower 200 Slot Output
•
Returns Pre or Post EQ in the programmed
audio path (Fader 1 or Fader 2) (See 200 Slot
Patching below)
NOTE: Patching into the SIDE CHAIN IN will replace
the Lower 200 Input as the input to the module’s
detection path (side-chain input)
