Vista 5 M3 Digital Mixing System
Introduction 1-11
Document generated: 28.08.13
SW V4.9
Step 2
The user can now navigate through the ‘virtual surface’ (6 sections wide) in
two ways: Either he jumps to a specific section by pressing the corresponding
key in the control bay, or he scrolls from the present position to the destination
by pressing one of the arrow keys (< and >) in any of the bays. Pressing one
of these arrow keys will virtually move the physical surface in front of the
total console (6 sections) by one bay (10 faders) at a time in the correspond-
ing direction, like moving a chair in front of a huge console.
Section
1
Section
2
Section
3
Section
4
Section
5
Section
6
Desk
The arrow keys are located in every fader bay, and they all have the same
functionality. This prevents the user from having to move to the center of the
console for navigation.
1.1.6
FaderGlow
™
FaderGlow
provides the operator with an instant overview of the functions
assigned to the faders by illuminated fader tracks. It is also possible to assign
the fader track illumination freely – eight different colours are available – in
order to mark important channels such as presenters, main talents and other
‘must-never-lose-their-signal’ channels.
However the red FaderGlow colour is used by the graphic EQ if switched to
the faders (and if configured within the channel processing).
Once the desired channel is coloured, it can be found within a fraction of a
second, even after mixing on a different layer and coming back to a channel
layout that may not have been on the surface for some time. Moreover, Fad-
erGlow
allows the operator colouring entire channel groups (such as ‘band’,
‘guest’, ‘ambience’, ‘string section’, ‘rhythm section’ channels), in order to
distinguish them easier and locate them faster.
FaderGlow configuration is described in the strip setup, refer to
chapter
4.4.6.1.7
.
Summary of Contents for Vista 5 M3
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