Adobe 12040118 - After Effects Standard, Руководство

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Color Correction effects
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Auto Color and Auto Contrast effects
Auto Levels effect
Black & White effect
Brightness & Contrast effect
Broadcast Colors effect
Change Color effect
Change To Color effect
Channel Mixer effect
Color Balance effect
Color Balance (HLS) effect
Color Link effect
Color Stabilizer effect
Colorama effect
Curves effect
Equalize effect
Exposure effect
Gamma/Pedestal/Gain effect
Hue/Saturation effect
Leave Color effect
Levels effect
Levels (Individual Controls) effect
Photo Filter effect
PS Arbitrary Map effect
Selective Color effect
Shadow/Highlight effect
Tint effect
Tritone effect
Vibrance effect
For general information about color correction and color adjustment, including links to tutorials and other resources, see Color correction, color
grading, and color adjustment.
Third-party effects in this category included with After Effects:
CC Color Neutralizer effect (CS6)
CC Color Offset effect
CC Kernel effect (CS6)
CC Toner effect
See Third-party plug-ins included with After Effects.
Auto Color and Auto Contrast effects
The Auto Color effect adjusts the contrast and color of an image after analyzing the shadows, midtones, and highlights of the image. The Auto
Contrast effect adjusts the overall contrast and mixture of colors. Each effect maps the lightest and darkest pixels in the image to white and black,
and then redistributes the intermediate pixels. The result is that highlights appear lighter and shadows appear darker.
Because Auto Contrast and Auto Color don’t adjust channels individually, they don’t introduce or remove color casts.
The Auto Levels effect uses many of the same controls as the Auto Color and Auto Contrast effects.
A quick way to remove (or at least reduce) the flicker caused by fluctuations in exposure and color from one frame to the next is to apply the
Auto Color effect. This is useful, for example, in reducing the flicker of old film or for correcting for the flickering color of a light source.
These effects work with 8-bpc and 16-bpc color.
Temporal Smoothing The range of adjacent frames, in seconds, analyzed to determine the amount of correction needed for each frame, relative
to its surrounding frames. If Temporal Smoothing is 0, each frame is analyzed independently, without regard for surrounding frames. Temporal
Smoothing can result in smoother looking corrections over time.
Scene Detect If selected, frames beyond a scene change are ignored when surrounding frames are analyzed for temporal smoothing.
Black Clip, White Clip How much of the shadows and highlights are clipped to the new extreme shadow and highlight colors in the image.