Adobe 12040118 - After Effects Standard, Руководство

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The human visual system does not respond linearly to light. In other words, our perception of how bright a light is does not double when twice as
many photons hit our eyes in a given time. Similarly, the display elements of a CRT monitor do not emit light that is twice as bright when a voltage
twice as great is applied. The relationship of light intensity to signal intensity for a display device is expressed by a power function. The exponent
of this power function is called gamma. In general, the relationship of light intensity to signal intensity for an input device is the inverse of the
relationship for an output device, though the gamma values may differ for input and output devices to accommodate the difference between scene
lighting and lighting of the viewing environment.
Note: Moving the midtone slider (such as the Gamma control for the Levels effect) in a color-correction histogram has the same result as
modifying gamma, changing the tone response curve without moving the white point. Modifying the curve in the Curves effect also modifies tone
response, but not necessarily with a gamma curve.
Charles Poynton provides an excellent set of resources on his website regarding gamma and other color technology.
Linear tone response: when gamma equals 1
Raising any number to the power of 1 gives the original number as a result. A gamma of 1.0 is used to express the behavior of light in the natural
world, outside the context of our nonlinear perceptual systems. A system with gamma of 1.0 is sometimes said to operate in linear light, whereas a
system encoded with a gamma other than 1.0 to match the human visual system is said to be perceptual.
If you have enabled color management (by specifying a working color space), you can perform all color operations in linear light by linearizing the
working color space. A linearized color space uses the same primaries and white point as the nonlinear version; the tone response curve is just
made into a straight line.
Many compositing operations, such as combining colors with blending modes, benefit from being performed in a linear color space. For the
most natural and realistic blending of colors, work in a linear color space. If you have not enabled color management, you can still perform
blending operations using a gamma of 1.0. (See Linearize working space and enable linear blending.)
System gamma, device gamma, and the difference between scene and viewing environment
The gamma value for an entire system—from capture, through production, to display in the viewing environment—is the product of the gamma
values used for each of the phases in the system. This product is not always 1.0, as it would be if the operations performed for encoding exactly
matched (inverted) the operations performed for decoding. One reason for a system gamma other than 1.0 is that a difference often exists
between the lighting conditions in which a scene is captured and the lighting conditions in which it is viewed. (Consider that you usually watch a
movie in a dim environment, but the scenes aren’t normally shot in a dim environment.)
For example, the device gamma for an HD camera is approximately 1/1.9, and the device gamma for an HD display is approximately 2.2.
Multiplying these values gives a system gamma of approximately 1.15, which is appropriate for the somewhat dim television viewing conditions of
a typical living room. The system gamma for motion picture production is much higher (approximately 1.5–2.5) to accommodate the darker viewing
environment of a movie theater. The gamma for the film negative is approximately 1/1.7, and the gamma for the projection film is approximately 3–
4.
Color profiles are said to be scene-referred if their tone-response curves are based on the conditions in the typical scene. Color profiles are said
to be output-referred if their tone-response curves are based on the conditions in the typical viewing environment.
By default when you use color management, After Effects automatically adjusts the contrast of images when converting between scene-referred
color profiles and output-referred color profiles. This automatic conversion (image state adjustment) is based on the gamma values specified in the
HDTV video standard.
To disable this automatic color transformation, deselect Compensate For Scene-referred Profiles in the Project Settings dialog box (File >
Project Settings).
The Compensate For Scene-referred Profiles feature also exists in Adobe Photoshop CS4 and later, but this feature does not exist in other
applications. To match the colors in other applications—including After Effects CS3 and earlier—disable this automatic conversion. When you open
a project created in After Effects CS3 or earlier, the Compensate For Scene-referred Profiles option is deselected.
Each instance of the Color Profile Converter effect can also be set to either compensate for scene-referred profiles, not compensate for scene-
referred profiles, or use the setting indicated by the project’s Compensate For Scene-referred Profiles option. (See Color Profile Converter effect.)
For an in-depth description of the automatic compensation for scene-referred profiles, see the Adobe website .
For additional information about the compensation for scene-referred profiles, see this blog post by Todd Kopriva and Peter Constable on the
Adobe website.
Trish and Chris Meyer provide an article on the ProVideo Coalition website that adds some practical information regarding scene-referred and
display-referred color profiles.
QuickTime and gamma in non-color-managed projects
After Effects 7.0 and earlier used QuickTime codecs to decode several kinds of media, and the gamma adjustments performed by QuickTime on
Windows were different from the gamma adjustments performed on Mac OS. The gamma adjustments performed by After Effects CS3 and later
differ from the gamma adjustments performed by these QuickTime codecs. Gamma adjustments performed by After Effects CS3 and later on
Windows are the same as gamma adjustments performed by After Effects CS3 and later on Mac OS. Also, by not using QuickTime codecs, After
Effects preserves over-range values in 32-bpc projects.
Select Match Legacy After Effects QuickTime Gamma Adjustments in the Project Settings dialog box to accomplish any of the following: