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2. Apply one or more keying effects to mask out the remainder of the background.
3. Apply Matte effects as necessary to fine-tune the matte.
Aharon Rabinowitz provides a video tutorial on the
Creative COW website
that shows how to create a super-tight garbage matte using Auto-trace.
Use a hold-out matte
Use a hold-out matte (also known as a hold-back matte) to patch a scene to which a keying effect has been applied.
A hold-out matte is a masked-out portion of a duplicate of a layer that you have keyed. The duplicate is masked to include only the area of the
image that contains the key color that you want to preserve as opaque. The hold-out matte is then placed directly on top of the keyed layer.
Example of using a hold-out matte
A. Original bluescreen image. The background for the number is also blue. B. After keying, the background for the number is also
transparent. C. Hold-out matte containing the part of the image you want to remain opaque D. When the hold-out matte is placed on top of the
keyed image, the background for the number is now opaque.
1. Duplicate the layer containing the color screen.
2. Apply keying effects and Matte effects to the original layer to create transparency.
3. On the duplicate layer, create masks to mask out everything in the image except the area that you want to preserve.
4. Make sure that the copy (the hold-out matte) is positioned directly on top of the keyed layer.
Note: Don’t change Transform properties of only one of the layers after making the duplicate; keep the layers moving together. Consider
parenting one to the other. (See Parent and child layers.)
More Help topics
Maintaining consistent color for background keying
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Summary of Contents for 12040118 - After Effects Standard
Page 1: ...ADOBE AFTER EFFECTS Help and tutorials...
Page 2: ...What s New...
Page 21: ......
Page 23: ...Legal Notices Online Privacy Policy...
Page 27: ...Workspace and workflow...
Page 29: ...Legal Notices Online Privacy Policy...
Page 36: ......
Page 42: ...Importing from Adobe After Effects Legal Notices Online Privacy Policy...
Page 76: ...Projects and compositions...
Page 92: ...Importing footage...
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Page 102: ......
Page 128: ...Layers and properties...
Page 140: ......
Page 171: ...Views and previews...
Page 185: ...Animation and Keyframes...
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Page 241: ...Color...
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Page 258: ...Drawing painting and paths...
Page 293: ...Text...
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Page 325: ...Transparency and compositing...
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Page 345: ...Effects and animation presets...
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Page 514: ...Markers...
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Page 524: ...Memory storage performance...
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Page 582: ...Rendering and Exporting...
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