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REFERENCE GUIDE
Amplitude
Applies Lfo to the Amplitude to produce Tremolo effects. You can programme both the first
and the second parts of this multiple parameter, which interact.
Amplitude
Determines the modulation depth of the Lfo on the Amplitude (the output
level). The positive and negative values indicate an opposed sense of increase/decrease of
the Tremolo output level (the choice between positive or negative values give perfectly
equivalent results). Higher positive or negative values increase the modulation depth.
Value range: -7 ... +7.
Touch sensitivity
Links the depth of the Amplitude modulation to Aftertouch, permitting
the control of the amount of Tremolo by varying the pressure applied to the keys. The
“Delay” parameter is ignored when pressure is applied to the keys and the oscillation starts
immediately.
Value range: 0 ... +7.
Filter 1
(DC and DO Sounds)
Applies Lfo to the Cutoff Frequency of Filter 1 to produce a “Wha-Wha” effect (obtained by
“opening” and “closing” the Filter). You can programme both the first and the second parts
of this multiple parameter, which interact.
Filter 1
Determines the modulation depth of the Lfo on the Cutoff Frequency. The positive
and negative values indicate an opposed sense of “opening” and “closing”, otherwise, the
choice between a positive or negative value give perfectly equivalent results. Higher
positive or negative values increase the Filter modulation depth.
Value range: -7 ... +7.
Touch sensitivity
Links the depth of the Filter modulation to Aftertouch. By applying
pressure to the keys, the “Delay” parameter is ignored and the oscillation starts immediately
(toggles between open and closed filter). The value 0 is equivalent to no effect and the
higher values produce a greater amount of modulation.
Value range: 0 ... +7.
Filter 2
(DC and DO Sounds)
As above, but for Filter 2.
Filter 1/2
Filters enhance or attenuate certain frequencies of the Waveform (or the Wave-
forms). The sound changes according to the type of filter selected (“Type” param-
eter).
The two filters of the S Series are connected in series, so that Filter 2 operates on
the sound already processed by Filter 1. In the case of DO Sounds, the filters have
the same effect on both the basic Waveforms.
Page 3: Filter 1 tracking
Page 4: Filter 2 tracking
Page 1: Filter 1
Page 2: Filter 2
Summary of Contents for S2 Turbo
Page 1: ......
Page 3: ...MUSICPROCESSORS OWNER S MANUAL ...
Page 17: ...INTRODUCTION 1 1 INTRODUCTION INTRODUCTION ...
Page 21: ...5 LAYOUTS 2 LAYOUTS S2 S3 Front panel S2 S3 Rear panel S2R Front panel S2R Rear panel ...
Page 42: ...26 OVERVIEW ...
Page 120: ...104 PRACTICAL GUIDE ...
Page 140: ...124 SAMPLE TRANSLATOR ...
Page 256: ...II APPENDIX ...
Page 257: ...MIDI iii MIDI IMPLEMENTATION CHART MIDI CONTROLLERS SYSTEM EXCLUSIVE ...
Page 267: ...Waveforms Sounds Performances xiii WAVEFORMS SOUNDS AND PERFORMANCES ...
Page 278: ...XXIV APPENDIX ...
Page 279: ...ROM Drumkits and Percussion Samples xxv DRUMKITS AND PERCUSSION SAMPLES ...
Page 291: ...TECHNICAL SPECIFICATIONS xxxvii TECHNICAL SPECIFICATIONS ...
Page 302: ...J TROUBLESHOOTING ...