141
Notes and suggestions
Delete Track
If you cannot cancel a track from a Performance because the same track is
exploited by the Song in the same Bank/Song, use the following “trick”:
1. Save the Performance to another Bank/Song.
2. Cancel the track.
3. Save the modified Performance back to the original Bank/Song.
Delay
You can combine different tracks with different delay values to create complex
repeating effects. An example of this application is heard in the R
OM
-Performance “Modern
Gnome”.
Aftertouch
Aftertouch can be simultaneously activated in some tracks and deactivated in
others. An example of this application is a Performance in layer mode with Piano and
Strings assigned to the two tracks. By activating Aftertouch for just the Strings track you
can change the Volume of this sound by pressing the notes on the keyboard, while Piano
(whose track has Aftertouch deactivated) will not be changed.
M
IDI
Filter
The M
IDI
O
UT
Filters can be very useful when combined with M
IDI
M
ERGE
.
Consider, for example, a M
IDI
setup with a sequencer connected to the M
IDI
I
N
of the Music
Processor and an expander connected to its M
IDI
O
UT
:
Local
Midi In
Track 1
Midi Out
The M
IDI
M
ERGE
is active. The sequencer transmits Program Changes to track 1 to select the
Sound. The Program Change transmitted to track 1 selects both the Sound of the Music
Processor (
GENERATION
Destination) and a sound for the expander (
MIDI
OUT
Destination).
The expander sound may not correspond to that of the Music Processor and may not be
suitable, therefore, you should assign the ProgramChange message to one of the M
IDI
Out
Filters. Consequently, the Sound of the Music Processor will be selected, while the filter
excludes the Program Change message from the M
IDI
O
UT
.
(4) Edit Performance/Tracks
Summary of Contents for S2 Turbo
Page 1: ......
Page 3: ...MUSICPROCESSORS OWNER S MANUAL ...
Page 17: ...INTRODUCTION 1 1 INTRODUCTION INTRODUCTION ...
Page 21: ...5 LAYOUTS 2 LAYOUTS S2 S3 Front panel S2 S3 Rear panel S2R Front panel S2R Rear panel ...
Page 42: ...26 OVERVIEW ...
Page 120: ...104 PRACTICAL GUIDE ...
Page 140: ...124 SAMPLE TRANSLATOR ...
Page 256: ...II APPENDIX ...
Page 257: ...MIDI iii MIDI IMPLEMENTATION CHART MIDI CONTROLLERS SYSTEM EXCLUSIVE ...
Page 267: ...Waveforms Sounds Performances xiii WAVEFORMS SOUNDS AND PERFORMANCES ...
Page 278: ...XXIV APPENDIX ...
Page 279: ...ROM Drumkits and Percussion Samples xxv DRUMKITS AND PERCUSSION SAMPLES ...
Page 291: ...TECHNICAL SPECIFICATIONS xxxvii TECHNICAL SPECIFICATIONS ...
Page 302: ...J TROUBLESHOOTING ...